The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde: and works best in silence and in isolation. Why should the artist
be troubled by the shrill clamour of criticism? Why should those
who cannot create take upon themselves to estimate the value of
creative work? What can they know about it? If a man's work is
easy to understand, an explanation is unnecessary. . . .
GILBERT. And if his work is incomprehensible, an explanation is
wicked.
ERNEST. I did not say that.
GILBERT. Ah! but you should have. Nowadays, we have so few
mysteries left to us that we cannot afford to part with one of
them. The members of the Browning Society, like the theologians of
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Around the World in 80 Days by Jules Verne: intercepted the beauties of this noble island from the view
of the travellers. The Rangoon weighed anchor at Singapore the next day
at four a.m., to receive coal, having gained half a day on the prescribed
time of her arrival. Phileas Fogg noted this gain in his journal, and then,
accompanied by Aouda, who betrayed a desire for a walk on shore, disembarked.
Fix, who suspected Mr. Fogg's every movement, followed them cautiously,
without being himself perceived; while Passepartout, laughing in his sleeve
at Fix's manoeuvres, went about his usual errands.
The island of Singapore is not imposing in aspect, for there are
no mountains; yet its appearance is not without attractions.
It is a park checkered by pleasant highways and avenues.
 Around the World in 80 Days |