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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

a shivering, white-faced wretch in the prisoners' dock that I do not hark back with shuddering horror to the strange events on the Pullman car Ontario, between Washington and Pittsburg, on the night of September ninth, last.

McKnight could tell the story a great deal better than I, although he can not spell three consecutive words correctly. But, while he has imagination and humor, he is lazy.

"It didn't happen to me, anyhow," he protested, when I put it up to him. "And nobody cares for second-hand thrills. Besides, you want the unvarnished and ungarnished truth, and I'm no hand for that. I'm a lawyer."


The Man in Lower Ten
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Old Maid by Honore de Balzac:

This lady lived with her maternal uncle, a former grand-vicar of the bishopric of Seez, once her guardian, and whose heir she was. The family of which Rose-Marie-Victoire Cormon was the present representative had been in earlier days among the most considerable in the province. Though belonging to the middle classes, she consorted with the nobility, among whom she was more or less allied, her family having furnished, in past years, stewards to the Duc d'Alencon, many magistrates to the long robe, and various bishops to the clergy. Monsieur de Sponde, the maternal grandfather of Mademoiselle Cormon, was elected by the Nobility to the States-General, and Monsieur Cormon, her father, by the Tiers-Etat, though neither accepted the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

gathers no forecast from Wagner or Marx. Both of them prophesied the end of our epoch, and, so far as one can guess, prophesied it rightly. They also brought its industrial history up to the year 1848 far more penetratingly than the academic historians of their time. But they broke off there and left a void between 1848 and the end, in which we, who have to live in that period, get no guidance from them. The Marxists wandered for years in this void, striving, with fanatical superstition, to suppress the Revisionists who, facing the fact that the Social-Democratic party was lost, were trying to find the path by the light of contemporary history instead of vainly consulting the oracle in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rezanov by Gertrude Atherton:

sat opposite Rezanov with his mouth open, the lines of his strong face elongated and relaxed. It was the hour of siesta, and they were alone in the sala.

"Mother of God!" he exclaimed. "Mother of God! Are you mad, Excellency?"

"No man was ever saner," said Rezanov cheer- fully. "What better proof would you have than this final testimony to Dona Concha's perfections?"

"But it cannot be! Surely, Excellency, you realize that? The priests! Ay yi! Ay yi!"

"I think I understand the priests. Persuade the


Rezanov