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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Large Catechism by Dr. Martin Luther:

long as we live here. Thus, although we have sins, the [grace of the] Holy Ghost does not allow them to injure us, because we are in the Christian Church, where there is nothing but [continuous, uninterrupted] forgiveness of sin, both in that God forgives us, and in that we forgive, bear with, and help each other.

But outside of this Christian Church, where the Gospel is not, there is no forgiveness, as also there can be no holiness [sanctification]. Therefore all who seek and wish to merit holiness [sanctification], not through the Gospel and forgiveness of sin, but by their works, have expelled and severed themselves [from this Church].

Meanwhile, however, while sanctification has begun and is growing

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from New Arabian Nights by Robert Louis Stevenson:

manner and by a well-considered generosity. He was a remarkable man even by what was known of him; and that was but a small part of what he actually did. Although of a placid temper in ordinary circumstances, and accustomed to take the world with as much philosophy as any ploughman, the Prince of Bohemia was not without a taste for ways of life more adventurous and eccentric than that to which he was destined by his birth. Now and then, when he fell into a low humour, when there was no laughable play to witness in any of the London theatres, and when the season of the year was unsuitable to those field sports in which he excelled all competitors, he would summon his confidant and Master of the Horse,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

white-clad peaks. They were closer now, apparently looming over her, and she felt a great sense of peace and protection in the thought that they would always be there. But she had not yet seen the desert that had haunted her for a year. When she reached the summit of the knoll and gazed out across the open space it seemed that she must stand spellbound. How green the cedared foreground-how gray and barren the downward slope--how wonderful the painted steppes! The vision that had lived in her memory shrank to nothingness. The reality was immense, more than beautiful, appalling in its isolation, beyond comprehension with its lure and strength to uplift.

But the superintendent drew her attention to the business at hand.


The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Songs of Innocence and Experience by William Blake:

Nor the lion's growl.

THE CHIMNEY-SWEEPER

A little black thing among the snow, Crying! 'weep! weep!' in notes of woe! 'Where are thy father and mother? Say!' - 'They are both gone up to the church to pray.

'Because I was happy upon the heath, And smiled among the winter's snow, They clothed me in the clothes of death, And taught me to sing the notes of woe.

'And because I am happy and dance and sing,


Songs of Innocence and Experience