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Today's Stichomancy for Celine Dion

The first excerpt represents the past or something you must release, and is drawn from Jerusalem Delivered by Torquato Tasso:

Her lower beauties veiled the gentle lake.

LX As when the morning star, escaped and fled From greedy waves, with dewy beams up flies, Or as the Queen of Love, new born and bred Of the Ocean's fruitful froth, did first arise: So vented she her golden locks forth shed Round pearls and crystal moist therein which lies: But when her eyes upon the knights she cast, She start, and feigned her of their sight aghast.


The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Witch, et. al by Anton Chekhov:

"Well, it's time to go," said Nikandr, getting up; "we've had a rest."

A minute later they were stepping along the muddy road. The tramp was more bent than ever, and he thrust his hands further up his sleeves. Ptaha was silent.


MELITON SHISHKIN, a bailiff from the Dementyev farm, exhausted by the sultry heat of the fir-wood and covered with spiders' webs and pine-needles, made his way with his gun to the edge of the wood. His Damka -- a mongrel between a yard dog and a setter -- an extremely thin bitch heavy with young, trailed after her

The third excerpt represents the future or something you must embrace, and is drawn from Enemies of Books by William Blades:

from an interesting work just published in Paris,[1] and shows how, even at this very time, and in the centre of the literary activity of France, books meet their fate.

[1] Le luxe des Livres par L. Derome. 8vo, Paris, 1879.

M. Derome loquitur:--

"Let us now enter the communal library of some large provincial town. The interior has a lamentable appearance; dust and disorder have made it their home. It has a librarian, but he has the consideration of a porter only, and goes but once a week to see the state of the books committed to his care; they are in a bad state, piled in heaps and perishing in corners for want of attention and binding.