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Today's Stichomancy for Charles Manson

The first excerpt represents the past or something you must release, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

better manners in future. Should I help him to his horse? No. For any other combination of offences I would; but his were too unpardonable. He might mount it himself, if he liked - in a while: already he was beginning to stir and look about him - and there it was for him, quietly browsing on the road-side.

So with a muttered execration I left the fellow to his fate, and clapping spurs to my own horse, galloped away, excited by a combination of feelings it would not be easy to analyse; and perhaps, if I did so, the result would not be very creditable to my disposition; for I am not sure that a species of exultation in what I had done was not one principal concomitant.

The Tenant of Wildfell Hall
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Salammbo by Gustave Flaubert:

flung handfuls of dust into their mouths, bit their arms, and burst into frantic laughter.

They were still more tormented by thirst, for they had not a drop of water, the leathern bottles having been completely dried up since the ninth day. To cheat their need they applied their tongues to the metal plates on their waist-belts, their ivory pommels, and the steel of their swords. Some former caravan-leaders tightened their waists with ropes. Others sucked a pebble. They drank urine cooled in their brazen helmets.

And they still expected the army from Tunis! The length of time which it took in coming was, according to their conjectures, an assurance of

The third excerpt represents the future or something you must embrace, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

she had a scale of recognitions and acceptances, which she kept apart for the very few, and Innes had claimed a place in it the first time they met. It seems a trifle ungrateful that she should have left him out, since it was he who gave her a standard by which to measure the frivolity of Simla. He went to gymkhanas--if he knew she was going--but he towered almost pictorially above them; and when he talked to Madeline his shoulders expressed a resentment of possible interruptions that isolated him still further. I would not suggest that he was superior by conviction; he was only intent, whereas most of the other people were extremely diffused, and discriminating, while the intimacies of the rest were practically