| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wizard of Oz by L. Frank Baum: But when the Woodman entered the great Throne Room he saw
neither the Head nor the Lady, for Oz had taken the shape of a
most terrible Beast. It was nearly as big as an elephant, and the
green throne seemed hardly strong enough to hold its weight. The
Beast had a head like that of a rhinoceros, only there were five
eyes in its face. There were five long arms growing out of its
body, and it also had five long, slim legs. Thick, woolly hair
covered every part of it, and a more dreadful-looking monster
could not be imagined. It was fortunate the Tin Woodman had no
heart at that moment, for it would have beat loud and fast from
terror. But being only tin, the Woodman was not at all afraid,
 The Wizard of Oz |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Modeste Mignon by Honore de Balzac: mother of a family. A poet is the saddest conquest that a girl can
make; he is full of vanity, full of angles that will sharply wound
a woman's proper pride, and kill a tenderness which has no
experience of life. The wife of a poet should love him long before
she marries him; she must train herself to the charity of angels,
to their forbearance, to all the virtues of motherhood. Such
qualities, mademoiselle, are but germs in a young girl.
Hear the whole truth,--do I not owe it to you in return for your
intoxicating flattery? If it is a glorious thing to marry a great
renown, remember also that you must soon discover a superior man
to be, in all that makes a man, like other men. He therefore
 Modeste Mignon |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift: scholars, is just so much of nothing to the purpose, and at best,
a tacit confession of a weak cause: My concern is not so much for
my own reputation, as that of the Republick of Letters, which Mr.
Partridge hath endeavoured to wound through my sides. If men of
publick spirit must be superciliously treated for their ingenious
attempts, how will true useful knowledge be ever advanced? I wish
Mr. Partridge knew the thoughts which foreign universities have
conceived of his ungenerous proceedings with me; but I am too
tender of his reputation to publish them to the world. That
spirit of envy and pride, which blasts so many rising genius's in
our nation, is yet unknown among professors abroad: The necessity
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs: Gathol; but to that fact she gave no conscious thought.
She did, however, think occasionally of the jed of that distant
kingdom, but the reaction to these thoughts was scarcely
pleasurable. They still brought a flush of shame to her cheeks
and a surge of angry blood to her heart. She was very angry with
the Jed of Gathol, and though she should never see him again she
was quite sure that hate of him would remain fresh in her memory
forever. Mostly her thoughts revolved about another--Djor Kantos.
And when she thought of him she thought also of Olvia Marthis of
Hastor. Tara of Helium thought that she was jealous of the fair
Olvia and it made her very angry to think that. She was angry
 The Chessmen of Mars |