| The first excerpt represents the past or something you must release, and is drawn from The Travels of Sir John Mandeville by Sir John Mandeville: Christ.
And upon that rock was Jacob sleeping when he saw the angels go up
and down by a ladder, and he said, VERE LOCUS ISTE SANCTUS EST, ET
EGO IGNORABAM; that is to say, 'Forsooth this place is holy, and I
wist it nought.' And there an angel held Jacob still, and turned
his name, and clept him Israel. And in that same place David saw
the angel that smote the folk with a sword, and put it up bloody in
the sheath. And in that same rock was Saint Simeon when he
received our Lord into the temple. And in this rock he set him
when the Jews would have stoned him; and a star came down and gave
him light. And upon that rock preached our Lord often-time to the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp: that lie in a chain in that wide green plain; and often have we been
in Potsdam, where he was quartered as a lieutenant, the Potsdam pilgrimage
including hours in the woods around and in the gardens of Sans Souci,
with the second volume of Carlyle's Frederick under my father's arm;
and often did we spend long summer days at the house in the Mark, at the head
of the same blue chain of lakes, where his mother spent her young years,
and where, though it belonged to cousins, like everything else that was
worth having, we could wander about as we chose, for it was empty,
and sit in the deep windows of rooms where there was no furniture,
and the painted Venuses and cupids on the ceiling still smiled irrelevantly
and stretched their futile wreaths above the emptiness beneath.
 Elizabeth and her German Garden |
The third excerpt represents the future or something you must embrace, and is drawn from The Underground City by Jules Verne: a simple explanation. According to him, the stone had not fallen,
it had been thrown; for otherwise, without rebounding, it could
never have described a trajectory as it did.
Harry saw in it a direct attempt against himself and his father,
or even against the engineer.
CHAPTER VI SIMON FORD'S EXPERIMENT
THE old clock in the cottage struck one as James Starr and his two
companions went out. A dim light penetrated through the ventilating
shaft into the glade. Harry's lamp was not necessary here, but it
would very soon be of use, for the old overman was about to conduct
the engineer to the very end of the Dochart pit.
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