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Today's Stichomancy for Christie Brinkley

The first excerpt represents the past or something you must release, and is drawn from The Life of the Spider by J. Henri Fabre:

moving body to regulate the fall; nevertheless, the descent takes place according to a scientific trajectory, the 'parabola,' of which the section of a cone by a plane furnished the prototype to the geometer's speculations. A figure, which was at first but a tentative glimpse, becomes a reality by the fall of a pebble out of the vertical.

The same speculations take up the parabola once more, imagine it rolling on an indefinite straight line and ask what course does the focus of this curve follow. The answer comes: The focus of the parabola describes a 'catenary,' a line very simple in shape, but endowed with an algebraic symbol that has to resort to a kind of

The Life of the Spider
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

I think in spite of the menace, they found real beatitudes; so keenly did they set about the business that it brought them moments finer than any they could count in the years that were behind them, the flat and colourless years that were gone. Once or twice the wild idea even visited me that it was, after all, the projection of his mother in Somers that had so seized Judy Harbottle, and that the original was all that was needed to help the happy process of detachment. Somers himself at the time was a good deal away on escort duty: they had a clear field.

I can not tell exactly when--between Mrs. Harbottle and myself--it became a matter for reference more or less overt, I mean her defined

The third excerpt represents the future or something you must embrace, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

Jesus Christ and publicly declare that no person can obtain the salvation of his soul outside of Christ, I must bear the badge of my Lord. These marks were given to me against my will as decorations from the devil and for no other merit but that I made known Jesus."

Of the marks of suffering which he bore in his body the Apostle makes frequent mention in his epistles. "I think," he says, "that God hath set forth us the apostles last, as it were appointed to death: for we are made a spectacle unto the world, and to angels, and to men." (I Cor. 4:9.) Again, "Unto this present hour we both hunger, and thirst, and are naked, and are buffeted, and have no certain dwellingplace; And labour, working with our hands: being reviled, we bless; being persecuted, we suffer it; being