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Today's Stichomancy for Christina Aguilera

The first excerpt represents the past or something you must release, and is drawn from The Communist Manifesto by Karl Marx:

disciples have, in every case, formed mere reactionary sects. They hold fast by the original views of their masters, in opposition to the progressive historical development of the proletariat. They, therefore, endeavour, and that consistently, to deaden the class struggle and to reconcile the class antagonisms. They still dream of experimental realisation of their social Utopias, of founding isolated "phalansteres," of establishing "Home Colonies," of setting up a "Little Icaria" -- duodecimo editions of the New Jerusalem -- and to realise all these castles in the air, they are compelled to appeal to the feelings and purses of the bourgeois. By degrees they sink into


The Communist Manifesto
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rivers to the Sea by Sara Teasdale:

Lest they forget them.

THE SEA WIND

I AM a pool in a peaceful place, I greet the great sky face to face, I know the stars and the stately moon And the wind that runs with rippling shoon-- But why does it always bring to me The far-off, beautiful sound of the sea?

The marsh-grass weaves me a wall of green, But the wind comes whispering in between, In the dead of night when the sky is deep

The third excerpt represents the future or something you must embrace, and is drawn from The Snow Image by Nathaniel Hawthorne:

impertinence to criticise them, proposing what he calls vast improvements, and concluding, after a general sentence of condemnation, with the definitive assurance that he will not be concerned on any terms."

"It might not be amiss to pull that fellow's nose," remarked I.

"If the whole 'trade' had one common nose, there would be some satisfaction in pulling it," answered the author. "But, there does seem to be one honest man among these seventeen unrighteous ones; and he tells me fairly, that no American publisher will meddle with an American work,--seldom if by a known writer, and never if by a new one,--unless at the writer's risk."


The Snow Image