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Today's Stichomancy for Chuck Norris

The first excerpt represents the past or something you must release, and is drawn from Somebody's Little Girl by Martha Young:

all the little girls to the long back gallery that was latticed in.

On a low shelf close against the lattice sat a row of white basins.

Then all the little tiny girls washed their little tiny hands in the white basins. And while they washed their little tiny hands by twos and by threes together, two little girls washing their hands in one basin together, three little girls washing their hands together, they all oftentimes laughed together and said:

``Wash together! And be friends forever! Wash together! And be friends forever!''

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

instance from common life, must convince every one that our whole social system is based upon Regularity, or Equality of Angles. You meet, for example, two or three Tradesmen in the street, whom you recognize at once to be Tradesmen by a glance at their angles and rapidly bedimmed sides, and you ask them to step into your house to lunch. This you do at present with perfect confidence, because everyone knows to an inch or two the area occupied by an adult Triangle: but imagine that your Tradesman drags behind his regular and respectable vertex, a parallelogram of twelve or thirteen inches in diagonal: -- what are you to do with such a monster sticking fast in your house door?


Flatland: A Romance of Many Dimensions
The third excerpt represents the future or something you must embrace, and is drawn from Northanger Abbey by Jane Austen:

How could she have so imposed on herself? Heaven forbid that Henry Tilney should ever know her folly! And it was in a great measure his own doing, for had not the cabinet appeared so exactly to agree with his description of her adventures, she should never have felt the smallest curiosity about it. This was the only comfort that occurred. Impatient to get rid of those hateful evidences of her folly, those detestable papers then scattered over the bed, she rose directly, and folding them up as nearly as possible in the same shape as before, returned them to the same spot within the cabinet, with a very hearty wish that no


Northanger Abbey