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Today's Stichomancy for Chuck Norris

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

of making jokes. "What a funny Mummy!" she said, evidently much amused. She has a fat little laugh that is very infectious.

"I think," said I, gravely, "you had better go and play with the other babies."

She did not answer, and sat still a moment watching the clouds. I began writing again.

"Mummy," she said presently.


"Where do the angels get their dwesses?"

I hesitated. "From lieber Gott," I said.

"Are there shops in the Himmel?"

Elizabeth and her German Garden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Richard III by William Shakespeare:

Did York's dread curse prevail so much with heaven That Henry's death, my lovely Edward's death, Their kingdom's loss, my woeful banishment, Should all but answer for that peevish brat? Can curses pierce the clouds and enter heaven? Why then, give way, dull clouds, to my quick curses! Though not by war, by surfeit die your king, As ours by murder, to make him a king! Edward thy son, that now is Prince of Wales, For Edward our son, that was Prince of Wales, Die in his youth by like untimely violence!

Richard III
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

Indifferently I groped for it, thinking it but some new invention of my jailers to add to my sufferings. At last I found it--a tiny package wrapped in paper, at the end of a strong and slender cord. As I opened it a few lozenges fell to the floor. As I gathered them up, feeling of them and smelling of them, I discovered that they were tablets of concentrated food such as are quite common in all parts of Barsoom. Poison! I thought.

The Warlord of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

immediately the whole room was possessed by them.

A tiny, insistent cry came from a corner, and Lawton and Eudora turned toward it. There stood the old wooden cradle in which Eudora had been rocked to sleep, but over the clumsy hood Eudora had tacked a fall of rich old lace and a great bow of soft pink satin.

"He is waking up," said the man, in a hushed, almost reverent voice.

Eudora nodded. She went toward the cradle, and the man followed. She lifted the curtain of lace, and there became visible little feebly waving pink arms and hands, like tentacles of love, and a