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Today's Stichomancy for Cindy Crawford

The first excerpt represents the past or something you must release, and is drawn from The Three Musketeers by Alexandre Dumas:

The four friends looked at one another, and a cloud came over the brows which but lately had been so cheerful.

"Look out!" cried D'Artagnan, "I see black points and red points moving yonder. Why did you talk of a regiment, Athos? It is a veritable army!"

"My faith, yes," said Athos; "there they are. See the sneaks come, without drum or trumpet. Ah, ah! have you finished, Grimaud?"

Grimaud made a sign in the affirmative, and pointed to a dozen bodies which he had set up in the most picturesque attitudes. Some carried arms, others seemed to be taking


The Three Musketeers
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Summer by Edith Wharton:

encouraging, he remarked: "You don't seem strong on architecture."

Her bewilderment was complete: the more she wished to appear to understand him the more unintelligible his remarks became. He reminded her of the gentleman who had "explained" the pictures at Nettleton, and the weight of her ignorance settled down on her again like a pall.

"I mean, I can't see that you have any books on the old houses about here. I suppose, for that matter, this part of the country hasn't been much explored. They

The third excerpt represents the future or something you must embrace, and is drawn from Myths and Myth-Makers by John Fiske:

The Hindu commentators of the Veda certainly lay great stress on the fact that the palasa, one of their lightning-trees, is trident-leaved. The mistletoe branch is forked, like a wish-bone,[47] and so is the stem which bears the forget-me-not or wild scorpion grass. So too the leaves of the Hindu ficus religiosa resemble long spear-heads.[48] But in many cases it is impossible for us to determine with confidence the reasons which may have guided primitive men in their choice of talismanic plants. In the case of some of these stories, it would no doubt be wasting ingenuity to attempt to assign a mythical origin for each point of detail.


Myths and Myth-Makers