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Today's Stichomancy for Claire Forlani

The first excerpt represents the past or something you must release, and is drawn from Ballads by Robert Louis Stevenson:

Dawn on its fluted brow painted rainbow light, Close on its pinnacled crown trembled the stars at night. Here and there in a cleft clustered contorted trees, Or the silver beard of a stream hung and swung in the breeze. High overhead, with a cry, the torrents leaped for the main, And silently sprinkled below in thin perennial rain. Dark in the staring noon, dark was Rua's ravine, Damp and cold was the air, and the face of the cliffs was green. Here, in the rocky pit, accursed already of old, On a stone in the midst of a river, Rua sat and was cold.

"Valley of mid-day shadows, valley of silent falls,


Ballads
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

produced by charity, or charity by faith, but the inducements to hope must arise either from one or other of these.

v. 125. A band quaternion.] The four moral or cardinal virtues, of whom Prudence directs the others.

v. 129. Two old men.] Saint Luke, characterized as the writer of the Arts of the Apostles and Saint Paul.

v. 133. Of the great Coan.] Hippocrates, "whom nature made for the benefit of her favourite creature, man."

v. 138. Four others.] "The commentators," says Venturi; "suppose these four to be the four evangelists, but I should rather take them to be four principal doctors of the church."


The Divine Comedy (translated by H.F. Cary)
The third excerpt represents the future or something you must embrace, and is drawn from Juana by Honore de Balzac:

porcelain adorned a buttery shelf of the old fashion. But the light, sparsely admitted, allowed these dazzling objects to show but slightly; all things, as in pictures of the Dutch school, looked brown, even the faces. Between the shop and this living-room, so fine in color and in its tone of patriarchal life, was a dark staircase leading to a ware-room where the light, carefully distributed, permitted the examination of goods. Above this were the apartments of the merchant and his wife. Rooms for an apprentice and a servant-woman were in a garret under the roof, which projected over the street and was supported by buttresses, giving a somewhat fantastic appearance to the exterior of the building. These chambers were now taken by the