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Today's Stichomancy for Clint Eastwood

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

He saw them drooping here and there, Each feebly huddled on a chair, In attitudes of blank despair:

Oysters were not more mute than they, For all their brains were pumped away, And they had nothing more to say -

Save one, who groaned "Three hours are gone!" Who shrieked "We'll wait no longer, John! Tell them to set the dinner on!"

The vision passed: the ghosts were fled: He saw once more that woman dread:

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Red Inn by Honore de Balzac:

Did you not relate the simple facts as you told them to me?"

He looked at me fixedly for a moment; then, after that awful pause, he answered with feverish excitement:--

"First they asked me, 'Did you leave the inn during the night?' I said, 'Yes.' 'How?' I answered, 'By the window.' 'Then you must have taken great precautions; the innkeeper heard no noise.' I was stupefied. The sailors said they saw me walking, first to Andernach, then to the forest. I made many trips, they said, no doubt to bury the gold and diamonds. The valise had not been found. My remorse still held me dumb. When I wanted to speak, a pitiless voice cried out to me, 'YOU MEANT TO COMMIT THAT CRIME!' All was against me, even myself.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

The ship was listing frightfully to starboard, rendering the port boats useless, while half the starboard boats had been demolished by the explosion. Even while the passengers were crowding the starboard rail and scrambling into the few boats left to us, the submarine commenced shelling the ship. I saw one shell burst in a group of women and children, and then I turned my head and covered my eyes.

When I looked again to horror was added chagrin, for with the emerging of the U-boat I had recognized her as a product of our own shipyard. I knew her to a rivet. I had superintended her construction. I had sat in that very conning-tower and


The Land that Time Forgot
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

the arch was clearly much relied on. The rooms we visited were wholly bare of all portable contents, a circumstance which sustained our belief in the city’s deliberate desertion. The prime decorative feature was the almost universal system of mural sculpture, which tended to run in continuous horizontal bands three feet wide and arranged from floor to ceiling in alternation with bands of equal width given over to geometrical arabesques. There were exceptions to this rule of arrangement, but its preponderance was overwhelming. Often, however, a series of smooth car-touches containing oddly patterned groups of dots would be sunk along one of the arabesque bands.


At the Mountains of Madness