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Today's Stichomancy for Clint Eastwood

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Wyoming by William MacLeod Raine:

"Good. I have a sheep-camp up that way. I can arrange to have grub sent there for us by a man I can trust."

"All right. The Roubideaux goes."

While they were nooning at a cow-spring, Bannister, lying on his back, with his face to the turquoise sky, became aware that a vagrant impulse had crystallized to a fixed determination. He broached it at once to his companion.

"One thing is a cinch, Mac. Neither y'u nor I will be safe in this country now until we have broken up the gang of desperadoes that is terrorizing this country. If we don't get them they will get us. There isn't any doubt about that. I'm not willing to lie

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Study of a Woman by Honore de Balzac:

Monsieur's lawyer."

"You are certain of what you say?"

Joseph was speechless. I saw plainly that I must interfere, as I happened to be again in Eugene's apartment.

"Joseph is right," I said.

Eugene turned and looked at me.

"I read the addresses quite involuntarily, and--"

"And," interrupted Eugene, "one of them was NOT for Madame de Nucingen?"

"No, by all the devils, it was not. Consequently, I supposed, my dear fellow, that your heart was wandering from the rue Saint-Lazare to the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

Dubarry drawing-room, or a monumental easel placed so that it took the light through curtains of old Venetian point. The more modest place became the picture better; yet, as my eyes grew accustomed to the half-light, all the characteristic qualities came out--all the hesitations disguised as audacities, the tricks of prestidigitation by which, with such consummate skill, he managed to divert attention from the real business of the picture to some pretty irrelevance of detail. Mrs. Gisburn, presenting a neutral surface to work on--forming, as it were, so inevitably the background of her own picture--had lent herself in an unusual degree to the display of this false virtuosity. The picture was

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Hellenica by Xenophon:

they and the rest of the horsemen should charge at full gallop,[6] and not give the enemy the chance to recoil. The Thessalians were taken aback by this unexpected onslaught, and half of them never thought of wheeling about, whilst those who did essay to do so presented the flanks of their horses to the charge,[7] and were made prisoners. Still Polymarchus of Pharsalus, the general in command of their cavalry, rallied his men for an instant, and fell, sword in hand, with his immediate followers. This was the signal for a flight so precipitate on the part of the Thessalians, that their dead and dying lined the road, and prisoners were taken; nor was any halt made until they reached Mount Narthacius. Here, then, midway between Pras and