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Today's Stichomancy for Colin Farrell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Shakespeare's Sonnets by William Shakespeare:

So runn'st thou after that which flies from thee, Whilst I thy babe chase thee afar behind; But if thou catch thy hope, turn back to me, And play the mother's part, kiss me, be kind; So will I pray that thou mayst have thy 'Will,' If thou turn back and my loud crying still.

CXLIV

Two loves I have of comfort and despair, Which like two spirits do suggest me still: The better angel is a man right fair, The worser spirit a woman colour'd ill.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Critias by Plato:

descendants of the ten kings and of their wives, and there were many other great offerings of kings and of private persons, coming both from the city itself and from the foreign cities over which they held sway. There was an altar too, which in size and workmanship corresponded to this magnificence, and the palaces, in like manner, answered to the greatness of the kingdom and the glory of the temple.

In the next place, they had fountains, one of cold and another of hot water, in gracious plenty flowing; and they were wonderfully adapted for use by reason of the pleasantness and excellence of their waters. They constructed buildings about them and planted suitable trees, also they made cisterns, some open to the heaven, others roofed over, to be used in winter

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the South Seas by Robert Louis Stevenson:

people, dwellers of an underworld; and the same fancy is current in Tahiti, where also they have the hair red. TETEA is the Tahitian name; the Paumotuan, MOKUREA.

PART III: THE GILBERTS

CHAPTER I - BUTARITARI

AT Honolulu we had said farewell to the CASCO and to Captain Otis, and our next adventure was made in changed conditions. Passage was taken for myself, my wife, Mr. Osbourne, and my China boy, Ah Fu, on a pigmy trading schooner, the EQUATOR, Captain Dennis Reid; and on a certain bright June day in 1889, adorned in the Hawaiian fashion with the garlands of departure, we drew out of port and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

"But surely that isn't the end of the story," Mrs. Dallas put in aggrievedly. "Why, that's the most tantalizing thing I ever heard."

"I'm afraid that's all," I said. "She went her way and I went mine. If she recalls me at all, she probably thinks of me as a weak-kneed individual who faints like a woman when everything is over.

"What did I tell you?" Mrs. Dallas asserted triumphantly. "He fainted, did you hear? when everything was over! He hasn't begun to tell it."

I would have given a lot by that time if I had not mentioned the girl. But McKnight took it up there and carried it on.

"Blakeley is a regular geyser," he said. "He never spouts until he


The Man in Lower Ten