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Today's Stichomancy for Colin Powell

The first excerpt represents the past or something you must release, and is drawn from The Light of Western Stars by Zane Grey:

to work tryin' to play the game. Monty Price, he was the leadin' spirit. Old as I am, Miss Majesty, an' used as I am to cowboy excentrikities, I nearly dropped daid when I heered that little hobble-footed, burned-up Montana cow-puncher say there wasn't any game too swell for him, an' gol-lof was just his speed. Serious as a preacher, mind you, he was. An' he was always practisin'. When Stewart gave him charge of the course an' the club-house an' all them funny sticks, why, Monty was tickled to death. You see, Monty is sensitive that he ain't much good any more for cowboy work. He was glad to have a job that he didn't feel he was hangin' to by kindness. Wal, he practised the game, an' he read


The Light of Western Stars
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Father Goriot by Honore de Balzac:

"Mad! am I? And what are you?" cried Mme. de Restaud.

"Children, children, I shall die if you go on like this," cried the old man, and he staggered and fell on the bed as if a bullet had struck him.--"They are killing me between them," he said to himself.

The Countess fixed her eyes on Eugene, who stood stock still; all his faculties were numbed by this violent scene.

"Sir? . . ." she said, doubt and inquiry in her face, tone, and bearing; she took no notice now of her father nor of Delphine, who was hastily unfastening his waistcoat.

"Madame," said Eugene, answering the question before it was


Father Goriot
The third excerpt represents the future or something you must embrace, and is drawn from De Profundis by Oscar Wilde:

and for that one moment's sake sits for ever with Ruth and Beatrice in the tresses of the snow-white rose of Paradise. All that Christ says to us by the way of a little warning is that every moment should be beautiful, that the soul should always be ready for the coming of the bridegroom, always waiting for the voice of the lover, Philistinism being simply that side of man's nature that is not illumined by the imagination. He sees all the lovely influences of life as modes of light: the imagination itself is the world of light. The world is made by it, and yet the world cannot understand it: that is because the imagination is simply a manifestation of love, and it is love and the capacity for it that