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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from To-morrow by Joseph Conrad: rious--he used to be very communicative about
them at the time--but extremely morbid and un-
reasonable. He was possessed of some little money
evidently, because he bought a plot of ground, and
had a pair of ugly yellow brick cottages run up
very cheaply. He occupied one of them himself
and let the other to Josiah Carvil--blind Carvil,
the retired boat-builder--a man of evil repute as a
domestic tyrant.
These cottages had one wall in common, shared
in a line of iron railing dividing their front gar-
To-morrow |
