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Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Roads of Destiny by O. Henry:

grasp of the youngster's chubby hand. It was a fearful lottery, Chicken knew. But he must accomplish his end by strategy, since he had a wholesome terror of plundering infants by force. Once, in a park, driven by hunger, he had committed an onslaught upon a bottle of peptonized infant's food in the possession of an occupant of a baby carriage. The outraged infant had so promptly opened its mouth and pressed the button that communicated with the welkin that help arrived, and Chicken did his thirty days in a snug coop. Wherefore he was, as he said, "leary of kids."

Beginning artfully to question the boy concerning his choice of sweets, he gradually drew out the information he wanted. Mamma said he

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

me back. "Don't look at the wreck," I entreated her. "It's no sight for a woman. If - if there is any way to tie up this arm, I might be able to do something. There may be people under those cars!"

"Then it is too late to help," she replied solemnly. A little shower of feathers, each carrying its fiery lamp, blew over us from some burning pillow. A part the wreck collapsed with a crash. In a resolute to play a man's part in the tragedy going on around, I got to my knees. Then I realized what had not noticed before: the hand and wrist of the broken left arm were jammed through the handle of the sealskin grip. I gasped and sat down suddenly.

"You must not do that," the girl insisted. I noticed now that she

The Man in Lower Ten
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Whirligigs by O. Henry:

life he saw, with a feeling of joy, that the exalted princess and priestess of the Andean peaks was changing to a woman -- an earth woman but no less enticing. A little colour crept to the surface of her marble cheek. She arranged the conventional dress that the removal of the robe now disclosed with the solicitous touch of one who is conscious of the eyes of others. She smoothed the careless sweep of her hair. A mundane interest, long latent in the chilling atmosphere of the ascetic peaks, showed in her eyes.

This thaw in his divinity sent Armstrong's heart going

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The King of the Golden River by John Ruskin:

got dreadfully thirsty and was going to drink like his brothers, when he saw an old man coming down the path above him, looking very feeble and leaning on a staff. "Why son," said the old man, "I am faint with thirst; give me some of that water." Then Gluck looked at him, and when he saw that he was pale and weary, he gave him the water. "Only pray don't drink it all," said Gluck. But the old man drank a great deal and gave him back the bottle two thirds empty. Then he bade him good speed, and Gluck went on again merrily. And the path became easier to his feet, and two or three blades of grass appeared upon it, and some grasshoppers began singing on the bank beside it, and Gluck thought he had never heard