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Today's Stichomancy for David Letterman

The first excerpt represents the past or something you must release, and is drawn from Moon-Face and Other Stories by Jack London:

"The subconscious mind never forgets. But I am not saying that this is due to the subconscious mind. I refuse to state to what I think it is due."

"But how about that other stuff?" Uncle Robert demanded. "Sounds like what I'd think Christian Science ought to sound like."

"Or theosophy," Aunt Mildred volunteered. "Some message to a neophyte."

"Go on, read the rest," her husband commanded.

"This puts you in touch with the mightier spirits," Lute read. "You shall become one with us, and your name shall be 'Arya,' and you shall--Conqueror 20, Empire 12, Columbia Mountain 18, Midway 140--and, and that is all. Oh, no! here's a last flourish, Arya, from Kandor--that must surely be the Mahatma."

"I'd like to have you explain that theosophy stuff on the basis of the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lair of the White Worm by Bram Stoker:

blue flame fell downward from the tower, and, with inconceivable rapidity, running along the ground in the direction of Diana's Grove, reached the dark silent house, which in the instant burst into flame at a hundred different points.

At the same moment there rose from the house a rending, crashing sound of woodwork, broken or thrown about, mixed with a quick scream so appalling that Adam, stout of heart as he undoubtedly was, felt his blood turn into ice. Instinctively, despite the danger and their consciousness of it, husband and wife took hands and listened, trembling. Something was going on close to them, mysterious, terrible, deadly! The shrieks continued, though less sharp in


Lair of the White Worm
The third excerpt represents the future or something you must embrace, and is drawn from Frankenstein by Mary Shelley:

separated Felix kissed the hand of the stranger and said, `Good night sweet Safie.' He sat up much longer, conversing with his father, and by the frequent repetition of her name I conjectured that their lovely guest was the subject of their conversation. I ardently desired to understand them, and bent every faculty towards that purpose, but found it utterly impossible.

"The next morning Felix went out to his work, and after the usual occupations of Agatha were finished, the Arabian sat at the feet of the old man, and taking his guitar, played some airs so entrancingly beautiful that they at once drew tears of sorrow and delight from my eyes. She sang, and her voice flowed in a rich


Frankenstein