| The first excerpt represents the past or something you must release, and is drawn from Lesser Hippias by Plato: voluntarily or involuntarily misses the mark?
HIPPIAS: Of him who voluntarily misses.
SOCRATES: This would be the better mind for the purposes of archery?
HIPPIAS: Yes.
SOCRATES: Then the mind which involuntarily errs is worse than the mind
which errs voluntarily?
HIPPIAS: Yes, certainly, in the use of the bow.
SOCRATES: And what would you say of the art of medicine;--has not the mind
which voluntarily works harm to the body, more of the healing art?
HIPPIAS: Yes.
SOCRATES: Then in the art of medicine the voluntary is better than the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Last War: A World Set Free by H. G. Wells: the new age, as one measures it against the latent achievement
that later years have demonstrated, one begins to measure the
blindness, the narrowness, the insensate unimaginative
individualism of the pre-atomic time. Under this tremendous dawn
of power and freedom, under a sky ablaze with promise, in the
very presence of science standing like some bountiful goddess
over all the squat darknesses of human life, holding patiently in
her strong arms, until men chose to take them, security, plenty,
the solution of riddles, the key of the bravest adventures, in
her very presence, and with the earnest of her gifts in court,
the world was to witness such things as the squalid spectacle of
The Last War: A World Set Free |
The third excerpt represents the future or something you must embrace, and is drawn from The Soul of Man by Oscar Wilde: the world's worship of pleasure, and whine against it. But it is
rarely in the world's history that its ideal has been one of joy
and beauty. The worship of pain has far more often dominated the
world. Mediaevalism, with its saints and martyrs, its love of
self-torture, its wild passion for wounding itself, its gashing
with knives, and its whipping with rods - Mediaevalism is real
Christianity, and the mediaeval Christ is the real Christ. When
the Renaissance dawned upon the world, and brought with it the new
ideals of the beauty of life and the joy of living, men could not
understand Christ. Even Art shows us that. The painters of the
Renaissance drew Christ as a little boy playing with another boy in
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