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Today's Stichomancy for Dick Cheney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Koran:

And the foremost foremost!

These are they who are brought nigh,

In gardens of pleasure!

A crowd of those of yore,

And a few of those of the latter day!

And gold-weft couches, reclining on them face to face.

Around them shall go eternal youths, with goblets and

ewers and a cup of flowing wine; no headache shall

they feel therefrom, nor shall their wits be dimmed!

And fruits such as they deem the best;

And flesh of fowl as they desire;


The Koran
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Essays & Lectures by Oscar Wilde:

accordance with this spirit that he appeals, for instance, to the Homeric epithet of [Greek text which cannot be reproduced], as applied to Corinth, as a proof of the early commercial prosperity of that city; to the fact of the generic name HELLENES not occurring in the ILIAD as a corroboration of his theory of the essentially disunited character of the primitive Greek tribes; and he argues from the line 'O'er many islands and all Argos ruled,' as applied to Agamemnon, that his forces must have been partially naval, 'for Agamemnon's was a continental power, and he could not have been master of any but the adjacent islands, and these would not be many but through the possession of a fleet.'

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Second Home by Honore de Balzac:

had not passed in the morning, and he did not come by at such regular hours as the clerks who served Madame Crochard instead of a clock; moreover, excepting on the first occasion, when his look had given the old mother a sense of alarm, his eyes had never once dwelt on the weird picture of these two female gnomes. With the exception of two carriage-gates and a dark ironmonger's shop, there were in the Rue du Tourniquet only barred windows, giving light to the staircases of the neighboring houses; thus the stranger's lack of curiosity was not to be accounted for by the presence of dangerous rivals; and Madame Crochard was greatly piqued to see her "Black Gentleman" always lost in thought, his eyes fixed on the ground, or straight before him, as

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Northanger Abbey by Jane Austen:

it to be at first.

Her greedy eye glanced rapidly over a page. She started at its import. Could it be possible, or did not her senses play her false? An inventory of linen, in coarse and modern characters, seemed all that was before her! If the evidence of sight might be trusted, she held a washing-bill in her hand. She seized another sheet, and saw the same articles with little variation; a third, a fourth, and a fifth presented nothing new. Shirts, stockings, cravats, and waistcoats faced her in each. Two others, penned by the same hand,


Northanger Abbey