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Today's Stichomancy for Donald Trump

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ruling Passion by Henry van Dyke:

the bend in the brook. It was such an affair as I had never seen before upon a trout stream: a majestic weapon at least sixteen feet long, made in two pieces, neatly spliced together in the middle, and all painted a smooth, glistening, hopeful green. The line that hung from the tip of it was also green, but of a paler, more transparent colour, quite thick and stiff where it left the rod, but tapering down towards the end, as if it were twisted of strands of horse- hair, reduced in number, until, at the hook, there were but two hairs. And the hook--there was no disguise about that--it was an unabashed bait-hook, and well baited, too. Gently the line swayed to and fro above the foaming water at the head of the pool; quietly

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

bindings, littered with broken overshoes and handleless umbrellas. I was apoplectic with rage one minute, and choked with laughter the next. It seemed an hour before Blobs came back.

He came without haste, strutting with new dignity, and paused outside my prison door.

"Well, I guess that will hold them for a while," he remarked comfortably, and proceeded to turn the key. "I've got 'em fastened up like sardines in a can!" he explained, working with the lock. "Gee whiz! you'd ought to hear 'em!" When he got his breath after the shaking I gave him, he began to splutter. "How'd I know?" he demanded sulkily. "You nearly broke your neck gettin' away the

The Man in Lower Ten
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon:

[6] {prosthetai}, "moveable," "false." For {gigglumois} L. & S. cf. Hipp. 411. 12; Aristot. "de An." iii. 10. 9 = "ball-and-socket joints."

[7] i.e. "forearm."

Moreover, as any damage done to the horse will involve his rider in extreme peril, the horse also should be clad in armour--frontlet, breastplate, and thigh-pieces;[8] which latter may at the same time serve as cuisses for the mounted man. Beyond all else, the horse's belly, being the most vital and defenceless part, should be protected. It is possible to protect it with the saddle-cloth. The saddle itself should be of such sort and so stitched as to give the rider a firm

On Horsemanship
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Buttered Side Down by Edna Ferber:

and then. There were certain dark rumors in our town to the effect that favored ones who dropped into Kunz's more often than seemed needful were privileged to have a thimbleful of something choice in the prescription room, back of the partition at the rear of the drug store. But that was the most devilish thing that Eddie had ever done.

I don't say that all crews are like that one. Perhaps he was unfortunate in falling in with that one. But it was an Eastern trip, and every port was a Port Said. Eddie Houghton's thoughts were not these men's thoughts; his actions were not their actions, his practices were not their practices. To Eddie Houghton, a

Buttered Side Down