|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Dwarf by Walter Scott:
portrait of David of Manor Water. He was not quite three feet
and a half high, since he could stand upright in the door of his
mansion, which was just that height. The following particulars
concerning his figure and temper occur in the SCOTS MAGAZINE for
1817, and are now understood to have been communicated by the
ingenious Mr. Robert Chambers of Edinburgh, who has recorded with
much spirit the traditions of the Good Town, and, in other
publications, largely and agreeably added to the stock of our
popular antiquities. He is the countryman of David Ritchie, and
had the best access to collect anecdotes of him.
"His skull," says this authority, "which was of an oblong and
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Koran:
they shall broil therein, and an ill couch shall it be! This,-so let
them taste it!- hot water, and pus, and other kinds of the same
sort! 'This is an army plunged in with you! there is no welcome for
them! verily, they are going to broil in the fire!'
They shall say, 'Nay, for you too is there no welcome! it was ye who
prepared it beforehand for us, and an ill resting-place it is!'
They shall say, 'Our Lord! whoso prepared this beforehand for us,
give him double torment in the fire!' And they shall say, 'What ails
us that we do not see men whom we used to think amongst the wicked?
whom we used to take for mockery? have our eyes escaped them?'
Verily, that is the truth; the contention of the people of the fire.
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moran of the Lady Letty by Frank Norris:
was necessary, but from the captain's talk he gathered that the
news of his return had long since been wired from Coronado, and
that it would be impossible to avoid a nine days' notoriety. The
captain of the station (his name was Hodgson) made Wilbur royally
welcome, insisted upon his dining with him, and himself called up
Langley & Michaels as soon as the meal was over.
It was he who offered the only plausible solution of the mystery
of the lifting and shaking of the schooner and the wrecking of the
junk. Though Wilbur was not satisfied with Hodgson's explanation,
it was the only one he ever heard.
When he had spoken of the matter, Hodgson had nodded his head.
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Juana by Honore de Balzac:
that you have suffered. Between us two few words are needed to make us
comprehend our past, but there will never be enough to express our
coming happiness. Lay your hand upon my heart. Feel how it beats. Let
us promise before God, who sees and hears us, to be faithful to each
other throughout our lives. Here, take my ring--and give me yours."
"Give you my ring!" she said in terror.
"Why not?" asked Montefiore, uneasy at such artlessness.
"But our holy father the Pope has blessed it; it was put upon my
finger in childhood by a beautiful lady who took care of me, and who
told me never to part with it."
"Juana, you cannot love me!"