| The first excerpt represents the past or something you must release, and is drawn from The Picture of Dorian Gray by Oscar Wilde: the straggling woodbine, seemed to make the stillness more oppressive.
The dim roar of London was like the bourdon note of a distant organ.
In the centre of the room, clamped to an upright easel, stood the full-length
portrait of a young man of extraordinary personal beauty, and in front of it,
some little distance away, was sitting the artist himself, Basil Hallward,
whose sudden disappearance some years ago caused, at the time, such public
excitement and gave rise to so many strange conjectures.
As the painter looked at the gracious and comely form he had so skilfully
mirrored in his art, a smile of pleasure passed across his face, and seemed
about to linger there. But he suddenly started up, and closing his eyes,
placed his fingers upon the lids, as though he sought to imprison within his
The Picture of Dorian Gray |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Personal Record by Joseph Conrad: Being more brilliantly gifted, she also expected more from life.
At that trying time especially, we were greatly concerned about
her state. Suffering in her health from the shock of her
father's death (she was alone in the house with him when he died
suddenly), she was torn by the inward struggle between her love
for the man whom she was to marry in the end and her knowledge of
her dead father's declared objection to that match. Unable to
bring herself to disregard that cherished memory and that
judgment she had always respected and trusted, and, on the other
hand, feeling the impossibility to resist a sentiment so deep and
so true, she could not have been expected to preserve her mental
A Personal Record |
The third excerpt represents the future or something you must embrace, and is drawn from The Importance of Being Earnest by Oscar Wilde: his will guardian to his grand-daughter, Miss Cecily Cardew.
Cecily, who addresses me as her uncle from motives of respect that
you could not possibly appreciate, lives at my place in the country
under the charge of her admirable governess, Miss Prism.
ALGERNON. Where in that place in the country, by the way?
JACK. That is nothing to you, dear boy. You are not going to be
invited . . . I may tell you candidly that the place is not in
Shropshire.
ALGERNON. I suspected that, my dear fellow! I have Bunburyed all
over Shropshire on two separate occasions. Now, go on. Why are
you Ernest in town and Jack in the country?
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