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Today's Stichomancy for Eliza Dushku

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lucile by Owen Meredith:

And who else, O Lucile, will so truly discern, And so deeply revere, all the passionate strength, The sublimity in you, as he whom at length These have saved from himself, for the truth they reveal To his worship?"

XVII.

She spoke not; but Alfred could feel The light hand and arm, that upon him reposed, Thrill and tremble. Those dark eyes of hers were half closed. But, under their languid mysterious fringe, A passionate softness was beaming. One tinge

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Golden Sayings of Epictetus by Epictetus:

CLXXVIII

At feasts, remember that you are entertaining two guests, body and soul. What you give to the body, you presently lose; what you give to the soul, you keep for ever.

CLXXIX

At meals, see to it that those who serve be not more in number than those who are served. It is absurd for a crowd of persons to be dancing attendance on half a dozen chairs.

CLXXX

It is best to share with your attendants what is going forward, both in the labour of preparation and in the enjoyment


The Golden Sayings of Epictetus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tono Bungay by H. G. Wells:

been sleeping. She did not come forward to greet me.

"You've come home," she said.

"As I wrote to you."

She stood very still, a dusky figure against the bright window.

"Where have you been?" she asked.

"East Coast," I said easily.

She paused for a moment. "I KNOW," she said.

I stared at her. It was the most amazing moment in any life....

"By Jove!" I said at last, "I believe you do!"

"And then you come home to me!"

I walked to the hearthrug and stood quite still there regarding

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

man possesses within him of vague and mysterious, all his inexplicable affinities, were caressed in their involuntary sympathies. There was in this perfect harmony a concert of color to which the soul responded with vague and voluptuous and fluctuating ideas.

It was out of a misty atmosphere, laden with exquisite perfumes, that Paquita, clad in a white wrapper, her feet bare, orange blossoms in her black hair, appeared to Henri, knelt before him, adoring him as the god of this temple, whither he had deigned to come. Although De Marsay was accustomed to seeing the utmost efforts of Parisian luxury, he was surprised at the aspect of this shell, like that from which Venus rose out of the sea. Whether from an effect of contrast between


The Girl with the Golden Eyes