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Today's Stichomancy for Eminem

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Noble Kinsmen by William Shakespeare:

Hart deepe with your distresse: Let him consider: Ile speake anon.


O my petition was [kneele to Emilia.] Set downe in yce, which by hot greefe uncandied Melts into drops, so sorrow, wanting forme, Is prest with deeper matter.


Pray stand up, Your greefe is written in your cheeke.


The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

but for some inexplicable reason I have one of those foolish feminine presentiments that all is not right with Mr. Caldwell. It is the strangest feeling--it is as though I knew that he was not on board the ship."

Monsieur Thuran laughed pleasantly. "Mercy, my dear Miss Strong," he said; "where in the world could he be then? We have not been within sight of land for days."

"Of course, it is ridiculous of me," she admitted. And then: "But I am not going to worry about it any longer; I am going to find out where Mr. Caldwell is," and she motioned to a passing steward.

The Return of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

I have myself conversed with several slaves who told me that their parents were white and free; but that they were stolen away from them and sold when quite young. As they could not tell their address, and also as the parents did not know what had become of their lost and dear little ones, of course all traces of each other were gone.

The following facts are sufficient to prove, that he who has the power, and is inhuman enough to trample upon the sacred rights of the weak, cares nothing for race or colour:--

Running a Thousand Miles for Freedom
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Massimilla Doni by Honore de Balzac:

one, which she rarely does. Each lady is in fact too much engaged in her own box to call on others, or to wish to see them; also no one cares to introduce a rival. An Italian woman almost always reigns alone in her box; the mothers are not the slaves of their daughters, the daughters have no mother on their hands; thus there are no children, no relations to watch and censure and bore, or cut into a conversation.

In front every box is draped in the same way, with the same silk: from the cornice hang curtains, also all to match; and these remain drawn when the family to whom the box belongs is in mourning. With very few exceptions, and those only at Milan, there is no light inside the box;