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Today's Stichomancy for Eminem

The first excerpt represents the past or something you must release, and is drawn from Master and Man by Leo Tolstoy:

cursing, his neglect of church and of the fasts, and all the things the priest blamed him for at confession. 'Of course they are sins. But then, did I take them on of myself? That's evidently how God made me. Well, and the sins? Where am I to escape to?'

So at first he thought of what might happen to him that night, and then did not return to such thoughts but gave himself up to whatever recollections came into his head of themselves. Now he thought of Martha's arrival, of the drunkenness among the workers and his own renunciation of drink, then of their present journey and of Taras's house and the talk about the


Master and Man
The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Lear by William Shakespeare:

You and your fellows. I'd have it come to question. If he distaste it, let him to our sister, Whose mind and mine I know in that are one, Not to be overrul'd. Idle old man, That still would manage those authorities That he hath given away! Now, by my life, Old fools are babes again, and must be us'd With checks as flatteries, when they are seen abus'd. Remember what I have said. Osw. Very well, madam. Gon. And let his knights have colder looks among you.


King Lear
The third excerpt represents the future or something you must embrace, and is drawn from The Elixir of Life by Honore de Balzac:

"Sancte Johannes, ora pro noblis!" he heard a voice exclaim sufficiently distinctly: "O coglione!"

"What can be going on up there?" cried the Sub-prior, as he saw the reliquary move.

"The saint is playing the devil," replied the Abbot.

Even as he spoke the living head tore itself away from the lifeless body, and dropped upon the sallow cranium of the officiating priest.

"Remember Dona Elvira!" cried the thing, with its teeth set fast in the Abbot's head.

The Abbot's horror-stricken shriek disturbed the ceremony; all