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Today's Stichomancy for Eric Bana

The first excerpt represents the past or something you must release, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

confirmed by a further circumstance. In the general confusion, the boudoir had not been swept that morning, and near the desk were several traces of brown mould and earth. The weather had been perfectly fine for some days, and no ordinary boots would have left such a heavy deposit.

"I strolled to the window, and saw at once that the begonia beds had been newly planted. The mould in the beds was exactly similar to that on the floor of the boudoir, and also I learnt from you that they had been planted yesterday afternoon. I was now sure that one, or possibly both of the gardeners-- for there were two sets of footprints in the bed--had entered the boudoir,


The Mysterious Affair at Styles
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Stories From the Old Attic by Robert Harris:

man toss a shovel full of gravel down the other part of the road. "I see you are fixing only the part of the road you use, and not the part others must use," sneered the second neighbor.

The shoveler stood still with a shovel full of gravel as the second man left. Now unsure of what to do with it that would be agreeable to his neighbors, he decided simply to dump it out onto his driveway on the very spot whence he had scooped it up. Just as he did so, a third neighbor happened to be walking by. "I see you are stealing gravel from the road for your driveway," sneered the third man. "People like you are what's wrong with this country."

At this point the homeowner put his shovel away and sat down

The third excerpt represents the future or something you must embrace, and is drawn from Bucky O'Connor by William MacLeod Raine:

to his room that one of the audience who had admired very much the artistic performance would like the pleasure of drinking a glass of wine with Signor Cavellado if the latter would favor him with his company in room seven. The Signor was graciously pleased to accept, and followed his message of acceptance in person a few minutes later.

Bucky remained quietly in the corner of the room back of the door until the showman had entered, and while the latter was meeting Collins he silently locked the door and pocketed the key.

The sheriff acknowledged Hardman's condescension brusquely and without shaking hands. "Glad to meet you, seh. But you're