Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Eric Bana

The first excerpt represents the past or something you must release, and is drawn from Essays & Lectures by Oscar Wilde:

will, and the extra-natural interference which they attribute as a constant attribute to God.

Now, that there is a science of the apparently variable phenomena of history is a conception which WE have perhaps only recently begun to appreciate; yet, like all other great thoughts, it seems to have come to the Greek mind spontaneously, through a certain splendour of imagination, in the morning tide of their civilisation, before inductive research had armed them with the instruments of verification. For I think it is possible to discern in some of the mystic speculations of the early Greek thinkers that desire to discover what is that 'invariable existence of which

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Master of the World by Jules Verne:

some food before me and returned to his place. Some potted meat, dried fish, sea-biscuit, and a pot of ale so strong that I had to mix it with water, such was the meal to which I did full justice. My fellow travelers had doubtless eaten before I came out of the cabin, and they did not join me.

There was nothing further to attract my eyes, and I sank again into thought. How would this adventure finish? Would I see this invisible captain at length, and would he restore me to liberty? Could I regain it in spite of him? That would depend on circumstances! But if the "Terror" kept thus far away from the shore, or if she traveled beneath the water, how could I escape from her? Unless we landed, and

The third excerpt represents the future or something you must embrace, and is drawn from In the Cage by Henry James:

liked to betray, to trip up, to bring down with words altered and fatal; and all through a personal hostility provoked by the lightest signs, by their accidents of tone and manner, by the particular kind of relation she always happened instantly to feel.

There were impulses of various kinds, alternately soft and severe, to which she was constitutionally accessible and which were determined by the smallest accidents. She was rigid in general on the article of making the public itself affix its stamps, and found a special enjoyment in dealing to that end with some of the ladies who were too grand to touch them. She had thus a play of refinement and subtlety greater, she flattered herself, than any of