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Today's Stichomancy for Eva Mendes

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Cruise of the Jasper B. by Don Marquis:

of yielding.

Unconsciously he drew himself up. It seemed to his crew that he actually gained in girth and height. The soul, in certain great moments, seems to have power to expand the body and inform it with the quality of immortality; Ajax, in his magnificent gesture of defiance, is all spirit. Cleggett, with his hand on his hip, uttered these words, not without their sublimity:

"Whether the Jasper B. sinks or swims, her commander will share her fate. I stay by my ship!"



The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer:

3.1 Organization 3.2 Site Monitoring Group 3.3 Offsite Monitoring Group

4 DOSIMETRY ANALYSIS OF PARTICIPANTS IN PROJECT TRINITY 4.1 Film Badge Records 4.2 Gamma Radiation Exposure



1-1 Location of Alamogordo Bombing Range 1-2 TRINITY Site and Major Installations 1-3 Tent Used as Guard Post at Project TRINITY

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson:

with Charlie Stewart, I have scarce said black or white since the day we parted at Corstorphine."

With which he rose from his place, and we began to move quietly eastward through the wood.


IT was likely between one and two; the moon (as I have said) was down; a strongish wind, carrying a heavy wrack of cloud, had set in suddenly from the west; and we began our movement in as black a night as ever a fugitive or a murderer wanted. The whiteness of the path guided us into the sleeping town of Broughton, thence through Picardy, and beside my old acquaintance the gibbet of the two thieves. A little beyond we

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maid Marian by Thomas Love Peacock:

he should give them good day.

"Why, what is in the wind now, brother Peter?" said Friar Michael.

"The lady Matilda," said the little friar, "can draw the long-bow. She must bear no goodwill to Sir Ralph; and if she should espy him from her tower, she may testify her recognition with a cloth-yard shaft. She is not so infallible a markswoman, but that she might shoot at a crow and kill a pigeon. She might peradventure miss the knight, and hit me, who never did her any harm."

"Tut, tut, man," said brother Michael, "there is no such fear."

"Mass," said the little friar, "but there is such a fear, and very strong too. You who have it not may keep your way,