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Today's Stichomancy for Faith Hill

The first excerpt represents the past or something you must release, and is drawn from Hiero by Xenophon:

undauntedly.

And Hiero answered: Yes, I can well believe you, for the laws are the true outposts,[10] who guard the sentinels, keeping their fears alive both for themselves and in behalf of you. Whereas the tyrant hires his guards for pay like harvest labourers.[11] Now of all functions, all abilities, none, I presume, is more required of a guard than that of faithfulness; and yet one faithful man is a commodity more hard to find than scores of workmen for any sort of work you like to name;[12] and the more so, when the guards in question are not forthcoming except for money's sake;[13] and when they have it in their power to get far more in far less time by murdering the despot than they can

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Three Taverns by Edwin Arlington Robinson:

In honor of his end. For there was gold, You see, though all he needed was a little, And what he gave said nothing of who gave it. He would have given it all if in return There might have been a more sufficient face To greet him when he shaved. Though you insist It is the dower, and always, of our degree Not to be cursed with such invidious insight, Remember that you stand, you and your fancy, Now in his house; and since we are together, See for yourself and tell me what you see.

The third excerpt represents the future or something you must embrace, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

words, the evidence points absolutely to this: Mr. Armstrong was admitted to the house from within."

"It is impossible," I broke in. "Mr. Jamieson, do you know what your words imply? Do you know that you are practically accusing Gertrude Innes of admitting that man?"

"Not quite that," he said, with his friendly smile. "In fact, Miss Innes, I am quite certain she did not. But as long as I learn only parts of the truth, from both you and her, what can I do? I know you picked up something in the flower bed: you refuse to tell me what it was. I know Miss Gertrude went back to the billiard-room to get something, she refuses to say what. You


The Circular Staircase