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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alexandria and her Schools by Charles Kingsley:

present God, a God of order; and therefore hankered, as men in such a mood always will, after prodigious and unnatural proofs of His having been once present with their founder Mohammed.

And in the meanwhile that absolute and omnipotent Being whom Mohammed, arising out of his great darkness, had so nobly preached to the Koreish, receded in the minds of their descendants to an unapproachable and abysmal distance. For they had lost the sense of His present guidance, His personal care. They had lost all which could connect Him with the working of their own souls, with their human duties and struggles, with the belief that His mercy and love were counterparts of human mercy and human love; in plain English, that He was loving and merciful at all.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

to him and he is too weak to refuse. Give everyone his culture, and no one will offer him more than his due.

In thus delivering our children from the idolatry of the artist, we shall not destroy for them the enchantment of art: on the contrary, we shall teach them to demand art everywhere as a condition attainable by cultivating the body, mind, and heart. Art, said Morris, is the expression of pleasure in work. And certainly, when work is made detestable by slavery, there is no art. It is only when learning is made a slavery by tyrannical teachers that art becomes loathsome to the pupil.

"The Machine"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Faith of Men by Jack London:

torturing Batard.

"Now we will haf a leetle museek," he would say. "Eh? W'at you t'ink, Batard?"

It was only an old and battered harmonica, tenderly treasured and patiently repaired; but it was the best that money could buy, and out of its silver reeds he drew weird vagrant airs that men had never heard before. Then Batard, dumb of throat, with teeth tight clenched, would back away, inch by inch, to the farthest cabin corner. And Leclere, playing, playing, a stout club tucked under his arm, followed the animal up, inch by inch, step by step, till there was no further retreat.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Juana by Honore de Balzac:

Juana an acknowledged life, an open consolation at all hours. Her mother had been virtuous as other women are criminal,--in secret; she had stolen a fancied happiness, she had never really tasted it. But Juana, unhappy in her virtue as her mother was unhappy in her vice, could enjoy at all moments the ineffable delights which her mother had so craved and could not have. To her, as to her mother, maternity comprised all earthly sentiments. Each, from differing causes, had no other comfort in their misery. Juana's maternal love may have been the strongest because, deprived of all other affections, she put the joys she lacked into the one joy of her children; and there are noble passions that resemble vice; the more they are satisfied the more they