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Today's Stichomancy for George Clooney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

stood in old days a crow-haunted gibbet, with two bodies hanged in chains. I used to be shown, when a child, a flat stone in the roadway to which the gibbet had been fixed. People of a willing fancy were persuaded, and sought to persuade others, that this stone was never dry. And no wonder, they would add, for the two men had only stolen fourpence between them.

For about two miles the road climbs upwards, a long hot walk in summer time. You reach the summit at a place where four ways meet, beside the toll of Fairmilehead. The spot is breezy and agreeable both in name and aspect.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Henry VI by William Shakespeare:

Now will we take some order in the town, Placing therein some expert officers; And then depart to Paris to the king, For there young Henry with his nobles lie.

BURGUNDY. What Lord Talbot pleaseth Burgundy.

TALBOT. But yet, before we go, let 's not forget The noble Duke of Bedford late deceased, But see his exequies fulfill'd in Rouen: A braver soldier never couched lance,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sylvie and Bruno by Lewis Carroll:

into the ditch, without attempting to stop them.

"And the Mouse found a Shoe, and it thought it were a Mouse-trap. So it got right in, and it stayed in ever so long."

"Why did it stay in?" said Sylvie. Her function seemed to be much the same as that of the Chorus in a Greek Play: she had to encourage the orator, and draw him out, by a series of intelligent questions.

"'Cause it thought it couldn't get out again," Bruno explained. "It were a clever mouse. It knew it couldn't get out of traps!"

But why did it go in at all?" said Sylvie.

"--and it jamp, and it jamp," Bruno proceeded, ignoring this question, "and at last it got right out again. And it looked at the mark in the


Sylvie and Bruno
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Montezuma's Daughter by H. Rider Haggard:

Otomie. She had set it there while I slept, and with it a lock of her long hair. Both shall be buried with me.

I laid her in the ancient sepulchre amid the bones of her forefathers and by the bodies of her children, and two days later I rode to Mexico in the train of Bernal Diaz. At the mouth of the pass I turned and looked back upon the ruins of the City of Pines, where I had lived so many years and where all I loved were buried. Long and earnestly I gazed, as in his hour of death a man looks back upon his past life, till at length Diaz laid his hand upon my shoulder:

'You are a lonely man now, comrade,' he said; 'what plans have you


Montezuma's Daughter