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Today's Stichomancy for George W. Bush

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Grogan by F. Hopkinson Smith:

give notice again, I don't know what'll become of us. Can't we do somethin'? Maybe Mrs. Grogan might give up the work if she knew how it was wid us. She seems like a dacent woman; she was in to look at me girl last week, hearin' as how we were strangers an' she very bad."

"Oh, ye don't know her. Ye can save yer wind and shoe-leather. She's on ter McGaw red hot; that's the worst of it. He better look out; she'll down him yet," said Mrs. Todd.

As the two entered the stuffy, close room for further discussion, a young girl left her seat by the window, and moved into the adjoining apartment. She had that yellow, waxy skin, hollow,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flame and Shadow by Sara Teasdale:

This way and that, with changeful wills. I heard them twitter and watched them dart Now together and now apart Like dark petals blown from a tree; The maples stamped against the west Were black and stately and full of rest, And the hazy orange moon grew up And slowly changed to yellow gold While the hills were darkened, fold on fold To a deeper blue than a flower could hold. Down the hill I went, and then

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Journey to the Center of the Earth by Jules Verne:

from side to side, earned us past unexpected turns, and

seemed almost to form a labyrinth; but, on the whole, its direction seemed to be south-easterly. My uncle never ceased to consult his compass, to keep account of the ground gone over.

The gallery dipped down a very little way from the horizontal, scarcely more than two inches in a fathom, and the stream ran gently murmuring at our feet. I compared it to a friendly genius guiding us underground, and caressed with my hand the soft naiad, whose comforting voice accompanied our steps. With my reviving spirits these mythological notions seemed to come unbidden.

As for my uncle, he was beginning to storm against the horizontal


Journey to the Center of the Earth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

let the water into the limbers of the ship, as it dashed from side to side in such a manner as to run into the lower tier of beds. Having been foiled in this attempt, and being completely wetted, he again got below and went to bed. In this state of the weather the seamen had to move about the necessary or indispensable duties of the ship with the most cautious use both of hands and feet, while it required all the art of the landsman to keep within the precincts of his bed. The writer even found himself so much tossed about that it became necessary, in some measure, to shut himself in bed, in order to avoid being thrown upon the floor. Indeed, such was