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Today's Stichomancy for Halle Berry

The first excerpt represents the past or something you must release, and is drawn from A Man of Business by Honore de Balzac:

head; whether you are a millionaire or a porter, justice is always done you. I cannot help it, my dear fellow; I myself am not a king, I stick to my principles. I have no pity for those that put me to expense or do not know their business as creditors.--Suzon! my tea! Do you see this gentleman?' he continued when the man came in. 'Well, you have allowed yourself to be taken in, poor old boy. This gentleman is a creditor; you ought to have known him by his boots. No friend nor foe of mine, nor those that are neither and want something of me, come to see me on foot.--My dear M. Cerizet, do you understand? You will not wipe your boots on my carpet again' (looking as he spoke at the mud that whitened the enemy's soles). 'Convey my compliments and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from 1492 by Mary Johntson:


It was May. And now the rain fell in a great copious flood, huge-dropped and warm, and now it was restrained for a little, and there shone a sun confused and fierce. Earth and forest dripped and streamed and smoked. We were Andalusians, but the heat drained us. But we held, we fourteen men. Arana did well at La Navidad. We all did what we could to live like true not false Castilians, true not false Christians. And I name Beltran the cook as hero and mighty encourager of hearts.

We went back and forth between La Navidad and Guarico,

The third excerpt represents the future or something you must embrace, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

and stimulating me to aspire, and to teach others to aspire. He had been angered at first -- he confessed -- by my ambition to soar to Dimensions above the Third; but, since then, he had received fresh insight, and he was not too proud to acknowledge his error to a Pupil. Then he proceeded to initiate me into mysteries yet higher than those I had witnessed, shewing me how to construct Extra-Solids by the motion of Solids, and Double Extra-Solids by the motion of Extra-Solids, and all "strictly according to Analogy", all by methods so simple, so easy, as to be patent even to the Female Sex.

Section 21. How I tried to teach the Theory of Three Dimensions

Flatland: A Romance of Many Dimensions