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Today's Stichomancy for Heidi Klum

The first excerpt represents the past or something you must release, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

road at the gate. The moon like a rick on fire was rising over the dale, And whit, whit, whit, in the bush beside me chirrupt the nightingale.

XI. All of a sudden he stopt: there past by the gate of the farm, Willy,--he did n't see me,--and Jenny hung on his arm. Out into the road I started, and spoke I scarce knew

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moran of the Lady Letty by Frank Norris:

alone. They had failed; the father had died from gas; the girl, at least for the moment, was crazed from its effects. But the bark had not been abandoned. The owner was on board. Kitchell was wrong; she was no derelict; not one penny could they gain by her salvage.

For an instant a wave of bitterest disappointment passed over Wilbur as he saw his $30,000 dwindling to nothing. Then the instincts of habit reasserted themselves. The taxpayer in him was stronger than the freebooter, after all. He felt that it was his duty to see to it that the girl had her rights. Kitchell must be made aware of the situation--must be told that Moran, the

The third excerpt represents the future or something you must embrace, and is drawn from The Voice of the City by O. Henry:

placing ice in the glass."

The girl gave a musical laugh of genuine amuse- ment.

"You should know," she explained, in an indul- gent tone, "that we of the non-useful class depend for our amusement upon departure from precedent. Just now it is a fad to put ice in champagne. The idea was originated by a visiting Prince of Tartary while dining at the Waldorf. It will soon give way to some other whim. Just as at a dinner party this week on Madison Avenue a green kid glove was laid


The Voice of the City