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Today's Stichomancy for Hilary Duff

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Market-Place by Harold Frederic:

her in turn, and, swerving sharply, came floating toward the hotel, with harsh, almost menacing cries. She hurried in, and shut the window with decision. It seemed to her that the smile with which, as she turned, she was able to meet her uncle's look, was a product of true heroism.

Apparently this smile did not altogether delude him. "Oh, now, you mustn't get down on your luck," he adjured her. "We're going to be awfully cozy here. Have you seen your room? It's just there, in a little alley to the right of the door. They say it has an even finer


The Market-Place
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

escape from Caspak."

He was not looking at her face as he answered her, and so he did not see the shadow of sorrow that crossed her countenance. When he raised his eyes again, she was smiling.

"What you wish, I wish," said the girl.

Southward along the coast they made their way following the beach, where the walking was best, but always keeping close enough to trees to insure sanctuary from the beasts and reptiles that so often menaced them. It was late in the afternoon when the girl suddenly seized Bradley's arm and pointed straight ahead along the shore. "What is that?" she whispered. "What strange


Out of Time's Abyss
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Of The Nature of Things by Lucretius:

. . . . . . And now, since I have taught that things cannot Be born from nothing, nor the same, when born, To nothing be recalled, doubt not my words, Because our eyes no primal germs perceive; For mark those bodies which, though known to be In this our world, are yet invisible: The winds infuriate lash our face and frame, Unseen, and swamp huge ships and rend the clouds, Or, eddying wildly down, bestrew the plains With mighty trees, or scour the mountain tops


Of The Nature of Things
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

possess the whole paraphernalia of the street carts. When the mule of the toy cart is unhitched and unharnessed, he looks like a very respectable mule. Nevertheless, instead of devouring food, he becomes the prey of insects. Usually he appears the second season, if he lasts that long, bereft of mane and tail, as well as a large portion of his skin. The flat carts have a revolving peg sticking up through the centre, on which a small clay image is placed which turns with the stick. Others are placed on wires on the two sides, to represent the driver and the passengers.