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Today's Stichomancy for Hilary Duff

The first excerpt represents the past or something you must release, and is drawn from Montezuma's Daughter by H. Rider Haggard:

gazed on them till I was bewildered, but all seemed as nothing when at length I saw the great temple with its stone gateways opening to the north and the south, the east and the west, its wall carven everywhere with serpents, its polished pavements, its teocallis decked with human skulls, thousands upon thousands of them, and its vast surrounding tianquez, or market place. I caught but a glimpse of it then, for the darkness was falling, and afterwards we were borne on through the darkness, I did not know whither.

A while went by and I saw that we had left the city, and were passing up a steep hill beneath the shadow of mighty cedar trees. Presently we halted in a courtyard and here I was bidden to alight.

Montezuma's Daughter
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fantastic Fables by Ambrose Bierce:

was asked why, then, he preached the religion founded upon it.

"If it is fallible," he replied, "there is the greater reason that I explain it, lest it mislead."

"Then am I to infer," said his Questioner, "that YOU are not fallible?"

"You are to infer that I am not pneumophagous."

The Thrift of Strength

A WEAK Man going down-hill met a Strong Man going up, and said:

"I take this direction because it requires less exertion, not from choice. I pray you, sir, assist me to regain the summit."

"Gladly," said the Strong Man, his face illuminated with the glory

Fantastic Fables
The third excerpt represents the future or something you must embrace, and is drawn from The War in the Air by H. G. Wells:

the surrender it was taken with its supplies and put out of the way under the arches of the great Dexter building. Here late in the morning it was remarked by a number of patriotic spirits. They set to work to hoist and mount it inside the upper floors of the place. They made, in fact, a masked battery behind the decorous office blinds, and there lay in wait as simply excited as children until at last the stem of the luckless Wetterhorn appeared, beating and rolling at quarter speed over the recently reconstructed pinnacles of Tiffany's. Promptly that one-gun battery unmasked. The airship's look-out man must have seen the whole of the tenth story of the Dexter building crumble out and