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Today's Stichomancy for Howard Stern

The first excerpt represents the past or something you must release, and is drawn from The Ball at Sceaux by Honore de Balzac:

that he had had a brilliant education, and that his knowledge was as thorough as it was extensive. He knew so well the right thing to say in a discussion on naval architecture, trivial, it is true, started by the old admiral, that one of the ladies remarked that he must have passed through the Ecole Polytechnique.

"And I think, madame," he replied, "that I may regard it as an honor to have got in."

In spite of urgent pressing, he refused politely but firmly to be kept to dinner, and put an end to the persistency of the ladies by saying that he was the Hippocrates of his young sister, whose delicate health required great care.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tono Bungay by H. G. Wells:

and little things; none of them do more than demonstrate those essential temperamental discords I have already sought to make clear. Some readers will understand--to others I shall seem no more than an unfeeling brute who couldn't make allowances.... It's easy to make allowances now; but to be young and ardent and to make allowances, to see one's married life open before one, the life that seemed in its dawn a glory, a garden of roses, a place of deep sweet mysteries and heart throbs and wonderful silences, and to see it a vista of tolerations and baby-talk; a compromise, the least effectual thing in all one's life.

Every love romance I read seemed to mock our dull intercourse,

The third excerpt represents the future or something you must embrace, and is drawn from War and Peace by Leo Tolstoy:

muskets small cloudlets that had no time to become balls, but had their little echoes in just the same way. "Trakh-ta-ta-takh!" came the frequent crackle of musketry, but it was irregular and feeble in comparison with the reports of the cannon.

Pierre wished to be there with that smoke, those shining bayonets, that movement, and those sounds. He turned to look at Kutuzov and his suite, to compare his impressions with those of others. They were all looking at the field of battle as he was, and, as it seemed to him, with the same feelings. All their faces were now shining with that latent warmth of feeling Pierre had noticed the day before and had fully understood after his talk with Prince Andrew.

War and Peace