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Today's Stichomancy for Hugh Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Voyage to Arcturus by David Lindsay:

was clutching a fish - six in all. Polecrab took them from it. He proceeded to cut off the heads and tails with a sharp-edged stone which he picked up; these he threw to the arg, which devoured them without any fuss.

Polecrab beckoned to Maskull to follow him and, carrying the fish, walked toward the open shore, by the same way that he had come. When they reached the sands, he sliced the fish, removed the entrails, and digging a shallow hole in a patch of violet sand, placed the remainder of the carcasses in it, and covered them over again. Then he dug up his own dinner. Maskull's nostrils quivered at the savoury smell, but he was not yet to dine.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

stoutly denied and are probably absent in near relatives. The father is a staunch citizen who feels keenly the disgrace of the present situation. He is a hard working clerk. We early learned the mother was not to be relied upon. Our best evidence of this came from Gertrude. She told us she had always been accustomed to hearing lies in her own household. According to the father his wife's falsifications are merely to shield the children and she only shows the ordinary deceit of woman. We have no history of this woman ever having indulged in elaborate fabrications and, in general, she is of thoroughly good reputation. In delicacy of feature the girl is her mother over again.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London:

and I believe you; but they could not believe you without doubts arising as to the wrong and ill-nature of the mystery. Besides, it would but make their anxieties greater."

"I should go away, I know I should go away," he said, half under his breath. "And I can. I am no weakling. Because I have failed to remain away once, is no reason that I shall fail again."

She caught her breath with a quick gasp. "It is like a bereavement to hear you speak of going away and remaining away. I should never see you again. It is too terrible. And do not reproach yourself for weakness. It is I who am to blame. It is I who prevented you from remaining away before, I know. I wanted you so. I want you so.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

Through narrowed lids the Princess of Helium scrutinized the Jeddak of Manator, from feathered headdress to sandaled foot and back to feathered headdress.

"'Honor'!" she mimicked in tones of scorn. "I please thee, do I? Then know, swine, that thou pleaseth me not--that the daughter of John Carter is not for such as thou!"

A sudden, tense silence fell upon the assembled chiefs. Slowly the blood receded from the sinister face of O-Tar, Jeddak of Manator, leaving him a sickly purple in his wrath. His eyes narrowed to two thin slits, his lips were compressed to a bloodless line of malevolence. For a long moment there was no


The Chessmen of Mars