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Today's Stichomancy for Hugh Hefner

The first excerpt represents the past or something you must release, and is drawn from The Black Tulip by Alexandre Dumas:

concealed them behind a block of stone, on which the traditional water-jug of the prison was standing, in the darkest corner of his cell.

Useless labour of so many years! such sweet hopes crushed; his discovery was, after all, to lead to naught, just as his own career was to be cut short. Here, in his prison, there was not a trace of vegetation, not an atom of soil, not a ray of sunshine.

At this thought Cornelius fell into a gloomy despair, from which he was only aroused by an extraordinary circumstance.

What was this circumstance?


The Black Tulip
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Romeo and Juliet by William Shakespeare:

Shuts vp his windowes, lockes faire day-light out, And makes himselfe an artificiall night: Blacke and portendous must this humour proue, Vnlesse good counsell may the cause remoue

Ben. My Noble Vncle doe you know the cause? Moun. I neither know it, nor can learne of him

Ben. Haue you importun'd him by any meanes? Moun. Both by my selfe and many other Friends, But he his owne affections counseller, Is to himselfe (I will not say how true) But to himselfe so secret and so close,


Romeo and Juliet
The third excerpt represents the future or something you must embrace, and is drawn from The Garden Party by Katherine Mansfield:

and took a pocket-handkerchief out of her white woolly jacket. "I really must conquer it, it's too absurd," said she.

"Good heavens, Anne," cried Reggie, "I love to hear you laughing! I can't imagine anything more--"

But the truth was, and they both knew it, she wasn't always laughing; it wasn't really a habit. Only ever since the day they'd met, ever since that very first moment, for some strange reason that Reggie wished to God he understood, Anne had laughed at him. Why? It didn't matter where they were or what they were talking about. They might begin by being as serious as possible, dead serious--at any rate, as far as he was concerned--but then suddenly, in the middle of a sentence, Anne would glance at him, and a