|The first excerpt represents the past or something you must release, and is drawn from The Tanach:
Ezekiel 44: 25 And they shall come near no dead person to defile themselves; but for father, or for mother, or for son, or for daughter, for brother, or for sister that hath had no husband, they may defile themselves.
Ezekiel 44: 26 And after he is cleansed, they shall reckon unto him seven days.
Ezekiel 44: 27 And in the day that he goeth into the sanctuary, into the inner court, to minister in the sanctuary, he shall offer his sin-offering, saith the Lord GOD.
Ezekiel 44: 28 And it shall be unto them for an inheritance: I am their inheritance; and ye shall give them no possession in Israel: I am their possession.
Ezekiel 44: 29 The meal-offering, and the sin-offering, and the guilt-offering, they, even they, shall eat; and every devoted thing in Israel shall be theirs.
Ezekiel 44: 30 And the first of all the first-fruits of every thing, and every heave-offering of every thing, of all your offerings, shall be for the priests; ye shall also give unto the priest the first of your dough, to cause a blessing to rest on thy house.
Ezekiel 44: 31 The priests shall not eat of any thing that dieth of itself, or is torn, whether it be fowl or beast.
Ezekiel 45: 1 Moreover, when ye shall divide by lot the land for inheritance, ye shall set apart an offering unto the LORD, a holy portion of the land; the length shall be the length of five and twenty thousand reeds, and the breadth shall be ten thousand; it shall be holy in all the border thereof round about.
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:
a condition of existence--if it would continue, it can only do so
as a form of LUXURY, as an archaizing TASTE. Variations, whether
they be deviations (into the higher, finer, and rarer), or
deteriorations and monstrosities, appear suddenly on the scene in
the greatest exuberance and splendour; the individual dares to be
individual and detach himself. At this turning-point of history
there manifest themselves, side by side, and often mixed and
entangled together, a magnificent, manifold, virgin-forest-like
up-growth and up-striving, a kind of TROPICAL TEMPO in the
rivalry of growth, and an extraordinary decay and self-
destruction, owing to the savagely opposing and seemingly
Beyond Good and Evil
|The third excerpt represents the future or something you must embrace, and is drawn from The Emerald City of Oz by L. Frank Baum:
acquaintances were doing, the magic of this wonderful picture was
straightway disclosed. For the country scene would gradually fade
away and in its place would appear the likeness of the person or
persons Ozma might wish to see, surrounded by the actual scenes in
which they were then placed. In this way the Princess could view any
part of the world she wished, and watch the actions of any one in whom
she was interested.
Ozma had often seen Dorothy in her Kansas home by this means, and now,
having a little leisure, she expressed a desire to see her little
friend again. It was while the travelers were at Fuddlecumjig, and
Ozma laughed merrily as she watched in the picture her friends trying
The Emerald City of Oz