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Today's Stichomancy for Ice Cube

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Unsocial Socialist by George Bernard Shaw:

Channel, and have a shot at him."

"I don't think he'd go," said Sir Charles dubiously. "If I were you, I would try my luck with Gertrude at once. In spite of what you heard, I don't believe she would marry a man of his origin. His money gives him an advantage, certainly, but Gertrude has sent richer men to the rightabout."

"Let the fellow have fair play," said Erskine. "I may be wrong, of course; all men are liable to err in judging themselves, but I think I could make her happier than he can."

Sir Charles was not so sure of that, but he cheerfully responded, "Certainly. He is not the man for her at all, and you are. He

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In the Cage by Henry James:

so many reasons, quick at Cocker's, she could hurry for him when, through an intimation light as air, she gathered that he was pressed.

When hurry was, better still, impossible, it was because of the pleasantest thing of all, the particular element of their contact-- she would have called it their friendship--that consisted of an almost humorous treatment of the look of some of his words. They would never perhaps have grown half so intimate if he had not, by the blessing of heaven, formed some of his letters with a queerness--! It was positive that the queerness could scarce have been greater if he had practised it for the very purpose of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Rivers by Henry van Dyke:

pastures, white villages, and bits of larch forest. In its narrow bed, far below, the river Boite roared as gently as Bottom's lion. The afternoon sunlight touched the snow-capped pinnacle of Antelao and the massive pink wall of Sorapis on the right; on the left, across the valley, Monte Pelmo's vast head and the wild crests of La Rochetta and Formin rose dark against the glowing sky. The peasants lifted their hats as we passed, and gave us a pleasant evening greeting. And so, almost without knowing it, we slipped out of Italy into Austria, and drew up before a bare, square stone building with the double black eagle, like a strange fowl split for broiling, staring at us from the wall, and an inscription to the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

shoulder, and speaking with some gravity. At least, as he raised his head upon my coming, I thought I could perceive his countenance to lighten.

"Ah!" says he, "here comes the good Mackellar. I have just been telling Sandie the story of this place, and how there was a man whom the devil tried to kill, and how near he came to kill the devil instead."

I had thought it strange enough he should bring the child into that scene; that he should actually be discoursing of his act, passed measure. But the worst was yet to come; for he added, turning to his son - "You can ask Mackellar; he was here and saw it."