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Today's Stichomancy for Ice Cube

The first excerpt represents the past or something you must release, and is drawn from The Works of Samuel Johnson by Samuel Johnson:

as they are viewed on opposite sides, and of the different inclinations which they must constantly raise in him that contemplates them, a more striking example cannot easily be found than two Greek epigrammatists will afford us in their accounts of human life, which I shall lay before the reader in English prose.

Posidippus, a comick poet, utters this complaint: "Through which of the paths of life is it eligible to pass? In public assemblies are debates and troublesome affairs: domestick privacies are haunted with

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Redheaded Outfield by Zane Grey:

great foes.

Then the ninth inning was at hand. As the sides changed I remembered to look at the feminine group in our box. Milly was in a most beautiful glow of happiness and excitement. Nan sat rigid, leaning over the rail, her face white and drawn, and she kept saying in a low voice: ``Will it never end? Will it never end?'' Mrs. Nelson stared wearily.

It was the Quakers' last stand. They faced it as a team that had won many a game in the ninth

The Redheaded Outfield
The third excerpt represents the future or something you must embrace, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

For another moment he stood with fierce eyes roving to and fro about the clearing. At last they halted for a second time upon the girl. A low growl rumbled from the lion's throat. His lower jaw rose and fell, and the slaver drooled and dripped upon the dead face of Taglat.

Like two yellow-green augurs, wide and unblinking, the terrible eyes remained fixed upon Jane Clayton. The erect and majestic pose of the great frame shrank suddenly into a sinister crouch as, slowly and gently as one who treads on eggs, the devil-faced cat crept

Tarzan and the Jewels of Opar