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Today's Stichomancy for Jack Nicholson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

5. The pope does not intend to remit, and cannot remit any penalties other than those which he has imposed either by his own authority or by that of the Canons.

6. The pope cannot remit any guilt, except by declaring that it has been remitted by God and by assenting to God's remission; though, to be sure, he may grant remission in cases reserved to his judgment. If his right to grant remission in such cases were despised, the guilt would remain entirely unforgiven.

7. God remits guilt to no one whom He does not, at the same time, humble in all things and bring into subjection to His

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Human Drift by Jack London:

sea deluged us out with icy water, and we found several inches of snow on top the mat. The reef to windward was disappearing under the rising tide, and moment by moment the seas broke more strongly over the rocks. The fishermen studied the shore anxiously. So did I, and with a sailor's eye, though I could see little chance for a swimmer to gain that surf-hammered line of rocks. I made signs toward the headlands on either flank. The Japanese shook their heads. I indicated that dreadful lee shore. Still they shook their heads and did nothing. My conclusion was that they were paralysed by the hopelessness of the situation. Yet our extremity increased with every minute, for the rising tide was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Turn of the Screw by Henry James:

My elder companion, the next moment, at any rate, blotted out everything but her own flushed face and her loud, shocked protest, a burst of high disapproval. "What a dreadful turn, to be sure, miss! Where on earth do you see anything?"

I could only grasp her more quickly yet, for even while she spoke the hideous plain presence stood undimmed and undaunted. It had already lasted a minute, and it lasted while I continued, seizing my colleague, quite thrusting her at it and presenting her to it, to insist with my pointing hand. "You don't see her exactly as WE see?-- you mean to say you don't now--NOW? She's as big as a blazing fire! Only look, dearest woman, LOOK--!" She looked, even as I did,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When a Man Marries by Mary Roberts Rinehart:

carved teakwood chairs.

"He said he loved you; I heard him," she said weakly. "He--he was going to put his arm around you!"

"Habit!" Jim put in, trying to smile. "You see, Aunt Selina, it's--well, it's a habit I got into some time ago, and I--my arm does it without my thinking about it."

"Habit!" Aunt Selina repeated, her voice thick with passion. Then she turned to me. "Go to your room at once!" she said in her most awful tone. "Go to your room and leave this--this shocking affair to me."

But if she had reached her limit, so had I. If Jim chose to ruin