| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Middlemarch by George Eliot: He suspected the Archdeacon of not having read them; he was
in painful doubt as to what was really thought of them by the
leading minds of Brasenose, and bitterly convinced that his old
acquaintance Carp had been the writer of that depreciatory recension
which was kept locked in a small drawer of Mr. Casaubon's desk,
and also in a dark closet of his verbal memory. These were heavy
impressions to struggle against, and brought that melancholy
embitterment which is the consequence of all excessive claim:
even his religious faith wavered with his wavering trust in his
own authorship, and the consolations of the Christian hope in
immortality seemed to lean on the immortality of the still unwritten
Middlemarch |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Songs of Travel by Robert Louis Stevenson: The keenest planet slain, for Venus slept.
The king, my neighbour, with his host of wives,
Slept in the precinct of the palisade;
Where single, in the wind, under the moon,
Among the slumbering cabins, blazed a fire,
Sole street-lamp and the only sentinel.
To other lands and nights my fancy turned -
To London first, and chiefly to your house,
The many-pillared and the well-beloved.
There yearning fancy lighted; there again
In the upper room I lay, and heard far off
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