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Today's Stichomancy for James Brown

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Another Study of Woman by Honore de Balzac:

other side of the Beresina; but at this moment the cold was less intense; my fellow-officers were resting, they were warm, they had food, and the room, strewn with trusses of straw, gave the promise of a delightful night. We did not ask for so much in those days. My comrades could be philanthropists /gratis/--one of the commonest ways of being philanthropic. I sat down to eat on one of the bundles of straw.

"At the end of the table, by the side of the door opening into the smaller room full of straw and hay, sat my old colonel, one of the most extraordinary men I ever saw among all the mixed collection of men it has been my lot to meet. He was an Italian. Now, whenever human

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Virginian by Owen Wister:

Western questions: irrigation, the Indians, the forests; and so he expanded, revealing to her his wide observation and his shrewd intelligence. He forgot entirely to be shy. She sent Molly to bed, and kept him talking for an hour. Then she showed him old things that she was proud of, "because," she said, "we, too, had something to do with making our country. And now go to Molly, or you'll both think me a tiresome old lady."

"I think--" he began, but was not quite equal to expressing what he thought, and suddenly his shyness flooded him again.

"In that case, nephew," said she, "I'm afraid you'll have to kiss me good night."

The Virginian
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To-morrow by Joseph Conrad:

for years; only she was an impatient woman. The news from Colebrook had arrived the very day after her funeral; if she had not been so impatient she might have been here now, with no more than one day more to wait. "You are not an impatient woman, my dear."

"I've no patience with you sometimes," she would say.

If he still advertised for his son he did not offer rewards for information any more; for, with the muddled lucidity of a mental derangement he had

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from End of the Tether by Joseph Conrad:

floated from his shoulders. His fluffy, fair hair, thin at the top, curled slightly at the sides; a carefully ar- ranged mustache, an ungarnished forehead, the gleam of low patent shoes peeping under the wide bottom of trowsers cut straight from the same stuff as the gossa- mer coat, completed a figure recalling, with its sash, a pirate chief of romance, and at the same time the ele- gance of a slightly bald dandy indulging, in seclusion, a taste for unorthodox costume.

It was his evening get-up. The proper time for the Sofala to arrive at Batu Beru was an hour before sun-

End of the Tether