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Today's Stichomancy for James Gandolfini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Elixir of Life by Honore de Balzac:

chamber of death empty. It was like an allegory of life.

As they went down the staircase, the Prince spoke to Rivabarella: "Now, who would have taken Don Juan's impiety for a boast? He loves his father."

"Did you see that black dog?" asked La Brambilla.

"He is enormously rich now," sighed Bianca Cavatolino.

"What is that to me?" cried the proud Veronese (she who had crushed the comfit-box).

"What does it matter to you, forsooth?" cried the Duke. "With his money he is as much a prince as I am."

At first Don Juan was swayed hither and thither by countless

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Barlaam and Ioasaph by St. John of Damascus:

and put another plump and well-favoured servant in his place, that the boy's eyes might never once behold anything to disquiet them. Such then was the intent and doing of the king, for, 'seeing, he did not see, and hearing, he did not understand.'

But, learning that some monks still remained, of whom he fondly imagined that not a trace was left, he became angry above measure, and his fury was hotly kindled against them. And he commanded heralds to scour all the city and all the country, proclaiming that after three days no monk whatsoever should be found therein. But and if any were discovered after the set time, they should be delivered to destruction by fire and sword.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from American Notes by Rudyard Kipling:

stony-hearted step-mother of collectors, has swindled us out of. Treading soft carpets and breathing the incense of superior cigars, I wandered from room to room studying the paintings in which the members of the club had caricatured themselves, their associates, and their aims. There was a slick French audacity about the workmanship of these men of toil unbending that went straight to the heart of the beholder. And yet it was not altogether French. A dry grimness of treatment, almost Dutch, marked the difference. The men painted as they spoke--with certainty. The club indulges in revelries which it calls "jinks"--high and low, at intervals--and each of these gatherings

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Inland Voyage by Robert Louis Stevenson:

should have paddled right into the siphon, and thenceforward not paddled any more. We met a man, a gentleman, on the tow-path, who was much interested in our cruise. And I was witness to a strange seizure of lying suffered by the CIGARETTE: who, because his knife came from Norway, narrated all sorts of adventures in that country, where he has never been. He was quite feverish at the end, and pleaded demoniacal possession.

Moy (pronounce Moy) was a pleasant little village, gathered round a chateau in a moat. The air was perfumed with hemp from neighbouring fields. At the Golden Sheep we found excellent entertainment. German shells from the siege of La Fere, Nurnberg