|The first excerpt represents the past or something you must release, and is drawn from Two Poets by Honore de Balzac:
Far away from the centres of light shed by great minds, where the air
is quick with thought, knowledge stands still, taste is corrupted like
stagnant water, and passion dwindles, frittered away upon the
infinitely small objects which it strives to exalt. Herein lies the
secret of the avarice and tittle-tattle that poison provincial life.
The contagion of narrow-mindedness and meanness affects the noblest
natures; and in such ways as these, men born to be great, and women
who would have been charming if they had fallen under the forming
influence of greater minds, are balked of their lives.
Here was Mme. de Bargeton, for instance, smiting the lyre for every
trifle, and publishing her emotions indiscriminately to her circle. As
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:
paper in the air.
"May I see it?"
He snatched it from her in his eagerness, and smoothing it out
upon the table he drew over the lamp and examined it intently. I
had left my chair and was gazing at it over his shoulder. The
envelope was a very coarse one and was stamped with the Gravesend
postmark and with the date of that very day, or rather of the day
before, for it was considerably after midnight.
"Coarse writing," murmured Holmes. "Surely this is not your
husband's writing, madam."
The Adventures of Sherlock Holmes
|The third excerpt represents the future or something you must embrace, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:
in its development a clue to the understanding of the oldest and
commonest processes of all "knowledge and cognizance": there, as
here, the premature hypotheses, the fictions, the good stupid
will to "belief," and the lack of distrust and patience are first
developed--our senses learn late, and never learn completely, to
be subtle, reliable, and cautious organs of knowledge. Our eyes
find it easier on a given occasion to produce a picture already
often produced, than to seize upon the divergence and novelty of
an impression: the latter requires more force, more "morality."
It is difficult and painful for the ear to listen to anything
new; we hear strange music badly. When we hear another language
Beyond Good and Evil