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Today's Stichomancy for Jessica Biel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

longer. I don't know which of us hung up with a sharp click, but I know I didn't care. I couldn't have talked to her across a tea-table that day if I never talked to her again in this world.

I called Gatsby's house a few minutes later, but the line was busy. I tried four times; finally an exasperated central told me the wire was being kept open for long distance from Detroit. Taking out my time-table, I drew a small circle around the three-fifty train. Then I leaned back in my chair and tried to think. It was just noon.

When I passed the ashheaps on the train that morning I had crossed deliberately to the other side of the car. I suppose there'd be a curious crowd around there all day with little boys searching for dark

The Great Gatsby
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vendetta by Honore de Balzac:

Porta of her father's severity. A chambermaid, who could neither read nor write, was able to carry letters between the lovers. For five days they corresponded thus, thanks to the inventive shrewdness of the youth.

The father and daughter seldom spoke to each other. Both were nursing in the depths of their heart a sentiment of hatred; they suffered, but they suffered proudly, and in silence. Recognizing how strong were the ties of love which bound them to each other, they each tried to break them, but without success. No gentle thought came, as formerly, to brighten the stern features of Piombo when he contemplated his Ginevra. The girl had something savage in her eye when she looked at

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Cruise of the Jasper B. by Don Marquis:

presence. I can stand it no longer; I feel my reason slipping from me. Have I not heard that there are in New York creatures who are willing, on the payment of a certain stipulated sum, to guarantee to chastise a person so as to disable him for a definite period, without doing him permanent injury? You must know some such disreputable characters. Procure me some wretches of this sort!'

"Elmer replied that such creatures do, indeed, exist. He called them--what did he call them?"

"Gunmen?" suggested Cleggett.

"Yes, thank you. He brought two of them to me whom he introduced

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from De Profundis by Oscar Wilde:

passed away. With me it was different. I felt it myself, and made others feel it. Byron was a symbolic figure, but his relations were to the passion of his age and its weariness of passion. Mine were to something more noble, more permanent, of more vital issue, of larger scope.

The gods had given me almost everything. But I let myself be lured into long spells of senseless and sensual ease. I amused myself with being a FLANEUR, a dandy, a man of fashion. I surrounded myself with the smaller natures and the meaner minds. I became the spendthrift of my own genius, and to waste an eternal youth gave me a curious joy. Tired of being on the heights, I deliberately went