The first excerpt represents the past or something you must release, and is drawn from Criminal Sociology by Enrico Ferri: or acquittal ought to point merely to the certainty or otherwise
of guilt, the sufficiency or insufficiency of the evidence. But,
as a matter of fact, the proportional increase of convictions does
partly represent greater severity on the part of the judges, and
still more of the juries, who display it by attaching weight to
somewhat unconvincing evidence, or in too readily admitting
circumstances which tend to aggravate the offence. This is
confirmed also by the rarity of acquittals in cases of contumacy.
Of these two factors the former is certainly the more important,
for it is a psychological law that man, in regard to punishment as
to any other kind of suffering, is more affected by the certainty
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther: 13. [38] Remissio tamen et participatio Pape nullo modo est
contemnenda, quia (ut dixi) est declaratio remissionis divine.
14. [39] Difficillimum est etiam doctissimis Theologis simul
extollere veniarum largitatem et contritionis veritatem coram
populo.
15. [40] Contritionis veritas penas querit et amat, Veniarum autem
largitas relaxat et odisse facit, saltem occasione.
16. [41] Caute sunt venie apostolice predicande, ne populus false
intelligat eas preferri ceteris bonis operibus charitatis.
17. [42] Docendi sunt christiani, quod Pape mens non est,
redemptionem veniarum ulla ex parte comparandam esse operibus
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The third excerpt represents the future or something you must embrace, and is drawn from Jane Eyre by Charlotte Bronte: a violent than a quiet race in their time: perhaps, though, that is
the reason they rest tranquilly in their graves now."
"Yes--'after life's fitful fever they sleep well,'" I muttered.
"Where are you going now, Mrs. Fairfax?" for she was moving away.
"On to the leads; will you come and see the view from thence?" I
followed still, up a very narrow staircase to the attics, and thence
by a ladder and through a trap-door to the roof of the hall. I was
now on a level with the crow colony, and could see into their nests.
Leaning over the battlements and looking far down, I surveyed the
grounds laid out like a map: the bright and velvet lawn closely
girdling the grey base of the mansion; the field, wide as a park,
 Jane Eyre |