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Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Old Maid by Honore de Balzac:

cheeks were a pleasure to look upon; they seemed to have been laved in some miraculous water. The part of his skull which his hair refused to cover shone like ivory. His eyebrows, like his hair, affected youth by the care and regularity with which they were combed. His skin, already white, seemed to have been extra-whitened by some secret compound. Without using perfumes, the chevalier exhaled a certain fragrance of youth, that refreshed the atmosphere. His hands, which were those of a gentleman, and were cared for like the hands of a pretty woman, attracted the eye to their rosy, well-shaped nails. In short, had it not been for his magisterial and stupendous nose, the chevalier might have been thought a trifle too dainty.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eve and David by Honore de Balzac:

least movement of a man, unluckily so absent-minded?

"Gif montame vill vait ein liddle kvarter hour, she can regonnoitre der enemy's camp," put in Kolb. "You shall see dot I oonderstand mein pizness; for gif I look like ein German, I am ein drue Vrenchman, and vat is more, I am ver' conning."

"Oh! madame, do let him go," begged Marion. "He is only thinking of saving his master; he hasn't another thought in his head. Kolb is not an Alsacien, he is--eh! well--a regular Newfoundland dog for rescuing folk."

"Go, my good Kolb," said David; "we have still time to do something."

Kolb hurried off to pay a visit to the bailiff; and it so fell out

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Before Adam by Jack London:

thrown by it a second time. He sat up, crouching, trembling with fear, and called to me pleadingly. I dashed back. He showed me the arrow. I caught hold of it to pull it out, but the consequent hurt made him seize my hand and stop me. A flying arrow passed between us. Another struck a rock, splintered, and fell to the ground. This was too much. I pulled, suddenly, with all my might. Lop-Ear screamed as the arrow came out, and struck at me angrily. But the next moment we were in full flight again.

I looked back. Old Marrow-Bone, deserted and far

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

their frequent clashes and stabbing affrays gave us plenty to do. But what actually absorbed our minds was the secret laboratory we had fitted up in the cellar -- the laboratory with the long table under the electric lights, where in the small hours of the morning we often injected Westís various solutions into the veins of the things we dragged from the potterís field. West was experimenting madly to find something which would start manís vital motions anew after they had been stopped by the thing we call death, but had encountered the most ghastly obstacles. The solution had to be differently compounded for different types -- what would serve for guinea-pigs would not serve for human beings, and different


Herbert West: Reanimator