Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

wanted to know one's age, as they do horses, by mark of mouth.

MARLOW. I protest, child, you use me extremely ill. If you keep me at this distance, how is it possible you and I can ever be acquainted?

MISS HARDCASTLE. And who wants to be acquainted with you? I want no such acquaintance, not I. I'm sure you did not treat Miss Hardcastle, that was here awhile ago, in this obstropalous manner. I'll warrant me, before her you looked dashed, and kept bowing to the ground, and talked, for all the world, as if you was before a justice of peace.

MARLOW. (Aside.) Egad, she has hit it, sure enough! (To her.) In awe of her, child? Ha! ha! ha! A mere awkward squinting thing; no, no. I find you don't know me. I laughed and rallied her a little; but

She Stoops to Conquer

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

unfavourably with you as a man of promise, as I was to send several things of which I believe I have more than once got the memorandum. All I can say is that in this respect you are not singular. This makes me no better; but really I have been driven about beyond all example in my past experience, and have been essentially obliged to neglect my own urgent affairs.' No servant of the Northern Lights came to Edinburgh but he was entertained at Baxter's Place to breakfast. There, at his own table, my grandfather sat down delightedly with his broad-spoken, homespun officers. His whole relation to the service was, in fact, patriarchal; and I believe I may say

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

the "Republic." The party of Order seems constantly engaged in a "Reaction," which, neither more nor less than in Prussia, is directed against the press, the right of association and the like, and is enforced by brutal police interventions on the part of the bureaucracy, the police and the public prosecutor--just as in Prussia; the Mountain on the contrary, is engaged with equal assiduity in parrying these attacks, and thus in defending the "eternal rights of man"--as every so-called people's party has more or less done for the last hundred and fifty years. At a closer inspection, however, of the situation and of the parties, this superficial appearance, which veils the Class Struggle, together with the peculiar physiognomy of this period,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

heath. In the crannies of the ledge and about the spurs of the tall pine, a red flowering stone-plant hung in clusters. Even the low, thorny chaparral was thick with pea-like blossom. Close at the foot of our path nutmegs prospered, delightful to the sight and smell. At sunrise, and again late at night, the scent of the sweet bay trees filled the canyon, and the down-blowing night wind must have borne it hundreds of feet into the outer air.

All this vegetation, to be sure, was stunted. The madrona was here no bigger than the manzanita; the bay was but a stripling shrub; the very pines, with four or five exceptions