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Today's Stichomancy for Jon Stewart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rewards and Fairies by Rudyard Kipling:

speak. Touch!'

Puck laid a hand on the hilt. It stopped shaking. The children wriggled a little nearer.

'I am of the People of the Worked Flint. I am the one son of the Priestess who sells the Winds to the Men of the Sea. I am the Buyer of the Knife - the Keeper of the People,' the man began, in a sort of singing shout. 'These are my names in this country of the Naked Chalk, between the Trees and the Sea.'

'Yours was a great country. Your names are great too,' said Puck.

'One cannot feed some things on names and songs.' The man hit himself on the chest. 'It is better - always better - to count

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters of Two Brides by Honore de Balzac:

his love diminishing.

But he is a child. He swears, as though the mere suggestion were an absurdity, and he is so beautiful that--Renee, you understand--I believe him.

Good-bye, sweet one. Shall we ever again let years pass without writing? Happiness is a monotonous theme, and that is, perhaps, the reason why, to souls who love, Dante appears even greater in the /Paradiso/ than in the /Inferno/. I am not Dante; I am only your friend, and I don't want to bore you. You can write, for in your children you have an ever-growing, every-varying source of happiness, while mine . . . No more of this. A thousand loves.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Life of the Spider by J. Henri Fabre:

principles as the Mollusc of the convoluted shell.

The Mollusc has years wherein to construct its spiral and it uses the utmost finish in the whirling process. The Epeira, to spread her net, has but an hour's sitting at the most, wherefore the speed at which she works compels her to rest content with a simpler production. She shortens the task by confining herself to a skeleton of the curve which the other describes to perfection.

The Epeira, therefore, is versed in the geometric secrets of the Ammonite and the Nautilus pompilus; she uses, in a simpler form, the logarithmic line dear to the Snail. What guides her? There is no appeal here to a wriggle of some kind, as in the case of the

The Life of the Spider
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Barlaam and Ioasaph by St. John of Damascus:

sins, which are heavier than the sand, be forgiven; sins, which, wittingly or unwittingly, I have sinned from childhood upwards to this my hoary age."

When the king's son heard these words, immediately he arose, and his heart waxed warm, and he began to try to raise Nachor's courage which was drooping to despair, and to confirm it in the faith of Christ, saying, "Let no doubt about this, Nachor, find place in thy mind. For it is written, God is able of these very stones to raise up children unto Abraham. What meaneth this (as father Barlaam said) except that men beyond hope, stained with all manner of wickedness, can be saved, and become servants of