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Today's Stichomancy for Karl Rove

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Voyage to Abyssinia by Father Lobo:

decrees of God, and not alterable by any human means, resign themselves entirely to Providence), our vessel ran aground upon a sand bank at the entrance of the harbour. We got her off with the utmost difficulty, and nothing but a miracle could have preserved us. We ran along afterwards by the side of the island, but were entertained with no other prospect than of a mountainous country, and of rocks that jutted out over the sea, and seemed ready to fall into it. In the afternoon, putting into the most convenient ports of the island, we came to anchor; very much to the amazement and terror of the inhabitants, who were not used to see any Portuguese ships upon their coasts, and were therefore under a great

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Z. Marcas by Honore de Balzac:

one in the morning, when we had finished our books and were about to undress, we heard a noise in our neighbor's room. He got up, struck a match, and lighted his dip. I got on to the drawers again, and I then saw Marcas seated at his table and copying law-papers.

His room was about half the size of ours; the bed stood in a recess by the door, for the passage ended there, and its breadth was added to his garret; but the ground on which the house was built was evidently irregular, for the party-wall formed an obtuse angle, and the room was not square. There was no fireplace, only a small earthenware stove, white blotched with green, of which the pipe went up through the roof. The window, in the skew side of the room, had shabby red curtains. The

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

clue, a clue that soon would bring him to the trail he was seeking. He did not know yet what he could do with his clue. But this much he knew; sooner or later this scratch in the floor would lead him to the murderer. The trail might be long and devious; but he would follow it and at its end would be success. He knew that this scratch had been made after the murder was committed; this was proved by the blood that marked its beginning. And it could not have been made by any of those who entered the room during the day because by that time the blood had dried. This strange streak in the floor, with its weird curves and spirals, could have been made only by the murderer. But how? With what instrument? There was the riddle

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton:

without seeing her, and when he returned, just before dinner, he found a visitor's hat and stick in the hall. The visitor was Flamel, who was in the act of taking leave.

He had risen, but Alexa remained seated; and their attitude gave the impression of a colloquy that had prolonged itself beyond the limits of speech. Both turned a surprised eye on Glennard and he had the sense of walking into a room grown suddenly empty, as though their thoughts were conspirators dispersed by his approach. He felt the clutch of his old fear. What if his wife had already sorted the papers and had told Flamel of her discovery? Well, it was no news to Flamel that Glennard was in receipt of a royalty on