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Today's Stichomancy for Kate Beckinsale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Episode Under the Terror by Honore de Balzac:

plasterer on the first floor," he said. "He is well known in the Section for his patriotism, but in reality he is an adherent of the Bourbons. He used to be a huntsman in the service of his Highness the Prince de Conti, and he owes everything to him. So long as you stay in the house, you are safer here than anywhere else in France. Do not go out. Pious souls will minister to your necessities, and you can wait in safety for better times. Next year, on the 21st of January,"--he could not hide an involuntary shudder as he spoke,--"next year, if you are still in this dreary refuge, I will come back again to celebrate the expiatory mass with you----"

He broke off, bowed to the three, who answered not a word, gave a last

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The First Men In The Moon by H. G. Wells:

[At this point a series of undulations that have been apparent as a perplexing complication as far back as Cavor's description of the silence that fell before the first speaking of the Grand Lunar become confusingly predominant in the record. These undulations are evidently the result of radiations proceeding from a lunar source, and their persistent approximation to the alternating signals of Cavor is curiously suggestive of some operator deliberately seeking to mix them in with his message and render it illegible. At first they are small and regular, so that with a little care and the loss of very few words we have been able to disentangle Cavor's message; then they become broad and larger, then suddenly they are irregular, with an irregularity that gives the effect at

The First Men In The Moon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac:

perfect instincts? If in moral philosophy there is not a single principle which does not lead to the absurd, or cannot be disproved by evidence, is it not high time that we should set to work to seek such dogmas as are written in the innermost nature of things? Must we not reverse philosophical science?

"We trouble ourselves very little about the supposed void that must have pre-existed for us, and we try to fathom the supposed void that lies before us. We make God responsible for the future, but we do not expect Him to account for the past. And yet it is quite as desirable to know whether we have any roots in the past as to discover whether we are inseparable from the future.

Louis Lambert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Massimilla Doni by Honore de Balzac:

poem, not easy of comprehension at a first hearing. But in leaving you with the Duchess I know that you can have no more competent interpreter, for she is my pupil."

The doctor, like the Duke, was struck by the expression stamped on the faces of the lovers, a look of pining despair.

"Then does an Italian opera need a guide to it?" he asked Massimilla, with a smile.

Recalled by this question to her duties as mistress of the box, the Duchess tried to chase away the clouds that darkened her brow, and replied, with eager haste, to open a conversation in which she might vent her irritation:--