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Today's Stichomancy for Kate Moss

The first excerpt represents the past or something you must release, and is drawn from Lin McLean by Owen Wister:

Sunday in the street, prosperous, forgiving, and exceedingly drunk. To the arms of Lusk she went back in the public street, deserting McLean in the presence of Cheyenne; and when Cheyenne saw this, and learned how she had been Mrs. Lusk for eight long, if intermittent, years, Cheyenne laughed loudly. Lin McLean laughed, too, and went about his business, ready to swagger at the necessary moment, and with the necessary kind of joke always ready to shield his hurt spirit. And soon, of course, the matter grew stale, seldom raked up in the Bow Leg country where Lin had been at work; so lately he had begun to remember other things beside the smouldering humiliation.

"Is she with him?" he asked Barker, and musingly listened while Barker

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Adam Bede by George Eliot:

shall often be with one another in spirit; but at this season I am in heaviness through manifold temptations. You must not mark me. I feel called to leave my kindred for a while; but it is a trial-- the flesh is weak."

Adam saw that it pained her to be obliged to answer.

"I hurt you by talking about it, Dinah," he said. "I'll say no more. Let's see if Seth's ready with breakfast now."

That is a simple scene, reader. But it is almost certain that you, too, have been in love--perhaps, even, more than once, though you may not choose to say so to all your feminine friends. If so, you will no more think the slight words, the timid looks, the


Adam Bede
The third excerpt represents the future or something you must embrace, and is drawn from The Garden Party by Katherine Mansfield:

either side with moving fan-like lights, and on the pavement gay couples seemed to float through the air; little satin shoes chased each other like birds.

"Hold on to me, Leila; you'll get lost," said Laura.

"Come on, girls, let's make a dash for it," said Laurie.

Leila put two fingers on Laura's pink velvet cloak, and they were somehow lifted past the big golden lantern, carried along the passage, and pushed into the little room marked "Ladies." Here the crowd was so great there was hardly space to take off their things; the noise was deafening. Two benches on either side were stacked high with wraps. Two old women in white aprons ran up and down tossing fresh armfuls. And everybody was