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Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salammbo by Gustave Flaubert:

station behind them, and hurled javelins, making themselves a rampart of their bodies. The wretched creatures could scarcely be recognised, so completely were their faces covered with vermin and filth. Their hair had been plucked out in places, leaving bare the ulcers on their heads, and they were so lean and hideous that they were like mummies in tattered shrouds. A few trembled and sobbed with a stupid look; the rest cried out to their friends to fire upon the Barbarians. There was one who remained quite motionless with face cast down, and without speaking; his long white beard fell to his chain-covered hands; and the Carthaginians, feeling as it were the downfall of the Republic in the bottom of their hearts, recognised Gisco. Although the place was a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

corresponds to Punch and Judy in Europe and America. To the question which naturally arises as to how the play was carried to the West, I reply, it may not have been carried to Europe at all, but have originated there. From marked similarities in the two plays however, and more especially in the methods of their production, we may suppose that the Chinese Punch and Judy was carried to Europe in the following way: Among the many traders who visited Central Asia while it was under the government of the family of Genghis Khan, were two

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato:

tell me first whether the earth is flat or round; and whichever was true, he would proceed to explain the cause and the necessity of this being so, and then he would teach me the nature of the best and show that this was best; and if he said that the earth was in the centre, he would further explain that this position was the best, and I should be satisfied with the explanation given, and not want any other sort of cause. And I thought that I would then go on and ask him about the sun and moon and stars, and that he would explain to me their comparative swiftness, and their returnings and various states, active and passive, and how all of them were for the best. For I could not imagine that when he spoke of mind as the disposer of them, he would give any other account of their being as they

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Prince of Bohemia by Honore de Balzac:

presence of the Saviour.

"There are still three more pages, you see. La Palferine allowed me to take the letter, with the traces of tears that still seemed hot upon it! Here was proof of the truth of his story. Marcas, a shy man enough with women, was in ecstacies over a second which he read in his corner before lighting his pipe with it.

" 'Why, any woman in love will write that sort of thing!' cried La Palferine. 'Love gives all women intelligence and style, which proves that here in France style proceeds from the matter and not from the words. See now how well this is thought out, how clear-headed sentiment is'--and with that he reads us another letter, far superior