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Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

But there stood the stout old one-hoss-shay As fresh as on Lisbon-earthquake-day!

EIGHTEEN HUNDRED; - it came and found The Deacon's Masterpiece strong and sound. Eighteen hundred increased by ten; - "Hahnsum kerridge" they called it then. Eighteen hundred and twenty came; - Running as usual; much the same. Thirty and forty at last arrive, And then come fifty, and FIFTY-FIVE.

Little of all we value here


The Autocrat of the Breakfast-Table
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

adopted child, from the evening hour of music: during which I Publickly (with a k) Blow on the Flageolet. These are words of truth. Yesterday I told Ori about W. E. H., counterfeited his playing on the piano and the pipe, and succeeded in sending the six feet four there is of that sub-chief somewhat sadly to his bed; feeling that his was not the genuine article after all. Ori is exactly like a colonel in the Guards. - I am, dear Charles, ever yours affectionately,

R. L. S.

Letter: TAUTIRA, 10TH NOVEMBER '88.

MY DEAR CHARLES, - Our mainmast is dry-rotten, and we are all to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Poems by Oscar Wilde:

And flecked with silver whorls the forest's glass, Which scarce had caught again its imagery Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing Though up and down the beech the squirrel played, And from the copse the linnet 'gan to sing To its brown mate its sweetest serenade; Ah! little care indeed, for he had seen The breasts of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats With whistling pipe across the rocky road,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Northanger Abbey by Jane Austen:

for that explanation which her lips did not afford. She moved on towards the gallery. "And may I not, in my turn," said he, as be pushed back the folding doors, "ask how you came here? This passage is at least as extraordinary a road from the breakfast-parlour to your apartment, as that staircase can be from the stables to mine."

"I have been," said Catherine, looking down, "to see your mother's room."

"My mother's room! Is there anything extraordinary to be seen there?"

"No, nothing at all. I thought you did not mean


Northanger Abbey