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Today's Stichomancy for Kim Jong Il

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from St. Ives by Robert Louis Stevenson:

recognised me.'

'Which on 'em, Mr. Anne?' said the rascal.

'That is a senseless question; it can make no difference who it was,' I returned.

'No, nor that it can't!' cried Rowley. 'I say, Mr. Anne, sir, it's what you would call a jolly mess, ain't it? looks like "clean bowled-out in the middle stump," don't it?'

'I fail to understand you, Rowley.'

'Well, what I mean is, what are we to do about this one?' pointing to the postillion in front of us, as he alternately hid and revealed his patched breeches to the trot of his horse. 'He see

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

had striven to forget. She would remember and think though she died of longing.

Carley, like a drowning woman, caught at straws. What a relief and joy to give up that endless nagging at her mind! For months she had kept ceaselessly active, by associations which were of no help to her and which did not make her happy, in her determination to forget. Suddenly then she gave up to remembrance. She would cease trying to get over her love for Glenn, and think of him and dream about him as much as memory dictated. This must constitute the only happiness she could have.

The change from strife to surrender was so novel and sweet that for days she felt renewed. It was augmented by her visits to the hospital in Bedford

The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Myths and Myth-Makers by John Fiske:

thunder, sun, moon, ocean, earthquake, whirlwind.[9] The comparatively enlightened Athenians of the age of Perikles addressed the sky as a person, and prayed to it to rain upon their gardens.[10] And for calling the moon a mass of dead matter, Anaxagoras came near losing his life. To the ancients the moon was not a lifeless ball of stones and clods: it was the horned huntress, Artemis, coursing through the upper ether, or bathing herself in the clear lake; or it was Aphrodite, protectress of lovers, born of the sea-foam in the East near Cyprus. The clouds were no bodies of vaporized water: they were cows with swelling udders, driven to the

Myths and Myth-Makers
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wrecker by Stevenson & Osbourne:

up, watched him awhile, and slowly followed his example; and Carthew, remembering his last thoughts of the night before, hastened to the cabin.

Mac was awake; perhaps had not slept. Over his head Goddedaal's canary twittered shrilly from its cage.

"How are you?" asked Carthew.

"Me arrum's broke," returned Mac; "but I can stand that. It's this place I can't abide. I was coming on deck anyway."

"Stay where you are, though," said Carthew. "It's deadly hot above, and there's no wind. I'll wash out this----" and he paused, seeking a word and not finding one for the grisly